The Birds

The Birds (1963)

553 mistakes - chronological order

(15 votes)

Continuity mistake: At the end of the bird attack Melanie gets Lydia and Cathy out through the side door. If you look to the left of the screen the wall behind and around the lamp where the painting hangs is dark. In the last shot of the birds flying around the painting is lit. (00:56:00)

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Continuity mistake: The drapes on the far wall of the dining room to the left of the dinner table have been straightened out during the scene but no one went near them. (00:56:10)

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Continuity mistake: In an earlier scene as Melanie plays the piano and Cathy stands there look closely at the drapes on her left. In that scene the drapes were right up against the edge of the wall, now as Mitch checks the windows before the last attacks they're pushed back several feet. (00:57:30)

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Continuity mistake: As they talk to the policeman Lydia rearranges the picture of her father above the piano. In the next shot a black bird appears next to the fallen statue on the left that wasn't there before. (00:57:30)

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Continuity mistake: In the close-up of Melanie as she watches Lydia try to fix up the place after the bird attack there's a bird caught in a pleat on the drapes behind and to the right of her head. At first the pleat goes to the right but later as she walks over to Mitch the bird and drapes have been rearranged so the pleat goes straight down. (00:57:35)

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Continuity mistake: After Melanie decides to stay for the night Lydia watches the policemen and everyone else leave. Between shots they've rearranged her pearl necklace and it now sits lower on her neckline. (00:57:45)

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Continuity mistake: In her room Melanie walks past a mirror that shows a reflection of the blanket on her bed. After she looks out the window at the pick-up truck she walks back and the lighting on the bed is turned off and the reflection is now dark. But if you look closely it's not dark enough to tell the bed has now been made up. (00:58:20)

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Continuity mistake: In her room Melanie has the green dress hanging to the left of the mirror over the sink. When she returns to that spot after looking out the window, the dress has been moved. (00:58:20)

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Continuity mistake: In her room as Melanie walks past the mirror the first time there is nothing on the upper wooden ledge in front of the glass. As she walks back from the window there's plenty of stuff there. (00:58:20)

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Continuity mistake: After a good night's sleep, Melanie looks out the window to see Lydia drive off in the green pick-up truck. If you look at the light fixture above and to the left of her head you can see by the shadow on the wall that the lighting changes between shots. (00:58:25)

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Continuity mistake: In the long shot as Lydia drives up to Mr. Faucet's farm the small structure in front of the building on the far right has four windows. As she parks the truck, we see that structure only has two windows. (00:58:45)

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Continuity mistake: When Mrs. Brenner escapes the neighbor's farm after finding him dead with eyes pecked out, she is driving so fast that there is a half mile long dust storm trailing behind her pickup truck. She slides almost sideways to a stop in her yard. In the next shot she is seen bolting from the truck... with not a speck of dust stirring anywhere to be seen. (00:59:00)

Continuity mistake: Before Lydia walks up to Mr. Faucet's door the day is overcast with no sunlight shining underneath his porch. As she walks through the door it looks as though she's in bright sunlight with her shadow casts on the screen door. (00:59:25)

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Continuity mistake: As Lydia walks up to Mr. Faucet's door she takes off her right glove and puts it in her left hand. Her right hand is empty and she uses it to open the door but when she comes through the other side of the door, the glove is in her hand again. (00:59:25)

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Continuity mistake: At Mr. Faucet's house, both doors that Lydia walks through are blue but after she walks in the door is white. (00:59:35)

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Continuity mistake: As Lydia looks through the window of Mr. Faucet's kitchen there is a distinct pattern on the wall to her left. As she comes through the door the pattern on the wall is different and she's in a different room. (00:59:35)

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Continuity mistake: As Lydia walks through Mr. Faucet's door her pocketbook is brown. We get several other good looks at it as she walks into the house and down the hall and it's now black. (00:59:35)

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Plot hole: When Jessica Tandy walks into Mr. Faucet's house everything is in perfect shape except a couple of broken cups, and there's not a dead bird in sight. (00:59:40)

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Continuity mistake: Before Lydia walks into Mr. Faucet's room she looks to her left and her face is entirely illuminated by the light coming from his room. In the next shot as she walks in only the left side of her face is illuminated. (01:00:10)

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Continuity mistake: As Lydia walks up to Mr. Faucet's room, the hallway is dark except for the light coming through the door. The sunlight on the floor is much wider than the window of the door in front of her and there's no evidence of any light fixture above her or her hair would be lit up. (01:00:10)

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Question: When the birds attack the town a gas station attendant is hit by a bird and drops the gas hose he is using to fill a car. The gasoline flows down the street and under a car; a man drops a match and lights the gas causing an explosion. Why didn't the gas pump shut off when the man dropped it?

michael g

Answer: The movie takes place in the 1960s, so presumably gas pumps worked a bit differently back then. This is also a small town and probably the gas station had not modernized. There may not have been automatic shut-offs, or if there was, it was faulty.

raywest

The automatic shut off is in the handle of the hose. When a person grips the handle they have to lift a levered switch to allow gas flow; the lever is spring loaded so that if it is released the gas will stop flowing. I have looked at older antique gas pumps and they are all the same; even the visible glass gravity flow ones. If that hose was dropped the the gas should have stopped flowing.

michael g

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