Cheyenne: Make believe it's nothing.
Frank: How can you trust a man that wears both a belt and suspenders? Man can't even trust his own pants.
Harmonica: You know, Wobbles... I'm kind of mad at you.
Cheyenne's Lieutenant: Cheyenne. We thought we'd never make it.
Cheyenne: It's all right. You're right on time... to bury my escort.
Jill: I could swear we're going to have that strange sound.
Harmonica: Right now.
Cheyenne: They wanna hang me, the big black crows. Idiots. What the hell? I'll kill anything, but never a kid. Be like killin' a priest. Catholic priest, that is.
Cheyenne: By the way, you know anything about a man going around playing the harmonica? He's somebody you'd remember. Instead of talking, he plays. And when he better play, he talks.
Frank: Keep your lovin' brother happy.
Jill: Hey, you're sort of a handsome man.
Cheyenne: But I'm not the right man. And neither is he.
Cheyenne: You deserve better.
Jill: The last man who told me that... is buried out there.
Morton: Not bad. Congratulations. Tell me, was it necessary that you kill all of them? I only told you to scare them.
Frank: People scare better when they're dyin'.
Cheyenne: Yeah, go on. Play, Harmonica. Play, so you can't bullshit.
Morton: I got on board within sight of the Atlantic, and before my eyes close I want to see the blue of the Pacific outside that window.
Frank: I know where you got on. I was there too remember? To remove small obstacles from the track you said. Well there were a few.
Frank: You've made a big mistake, Morton. When you're not on that train, you look like a turtle out of its shell. It's funny. Poor cripple talkin' big so nobody'll know how scared ya are.
Answer: "Leone fools us into thinking that Harmonica is a criminal and sexual predator in the scene in Jill's barn in which Harmonica rips off the white lace beneath the bodice of Jill's dress. This act, that seems to betoken sexual aggression and to anticipate rape, is actually one of protection. Harmonica represents no more of a sexual threat than Cheyenne does. What Harmonica realises, and Jill does not, is that Frank's sharpshooters wait for her in the hills above her house and that the white of her dress makes her an easy target. He might have explained this situation more carefully to her, of course, but Leone's characters seem to almost thrive on, or to court, ill opinion. Moreover, when Harmonica's shots ring out at the well and Jill realises he is actually intent on protecting rather than brutalizing her, the effect is all the more dramatic for his having given her no hint of his intentions. Leone's heroes do not like to wear their morality on their sleeves." (John Fawell).