The Thomas Crown Affair

Character mistake: Thomas rips off his one glove as he makes his escape but then grips the bottom edge of the security door to slide under it. Smooth metal door would leave perfect finger and palm prints. I doubt detectives would miss prints on a door that was normally recessed away from the public. His prints may not be on file but would be easy to obtain once he was under suspicion. (00:19:20)

Plot hole: When Renee Russo was reviewing the tape showing the room with the painting to see who stole the painting, and the tape was blank because the heat generated from the suitcase hidden under the bench, why didn't she just back up the tape completely to see who put the suitcase there in the first place? (00:28:30)

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Thomas Crown: Regret is usually a waste of time, as is gloating.

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Trivia: After Thomas has stolen the first painting and is coming out of the museum main gates, you can see a balcony in the background with a man in a bowler hat and suit standing on it. A clue to viewers who notice it maybe?

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Question: I know this is all part of the mystery, but how the hell does he steal the second painting? Everything else he's planned you can see the logic behind, how it worked, etc., but there's no possible way he could have got to the second picture - all the gates were shut and locked, the metal fireguards were in place...any ideas? If anyone involved in the making/writing of it is reading this, can they please get in touch with me?

Answer: On the commentary track for the DVD the director states that he has no idea how Thomas Crown stole the final painting.

Answer: The soft piano music at the start of the film is by Bill Conti, who is the soundtrack composer. I believe the piece is called Glider as it is used later in the film during the Glider flying scene.

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