Plot hole: When Renee Russo was reviewing the tape showing the room with the painting to see who stole the painting, and the tape was blank because the heat generated from the suitcase hidden under the bench, why didn't she just back up the tape completely to see who put the suitcase there in the first place?
Continuity mistake: In the opening sequence, when Crown decides to walk and has "Jimmy" meet him at the office, he is almost run down by a truck. First of all, the truck has to skid to a stop, yet there is a car no more than ten feet in front of it when they change camera angle. Why was the truck going so fast in the first place. Secondly, when Crown motions for the driver to pass, the same car is still stopped directly in front of the truck, yet the truck speeds off in a way that it should smash into the car in front of it.
Trivia: Not strictly a mistake, but have you ever seen anything like the product placement when Rene Russo storms into an office and downs a can of Pepsi One (with the label cunning facing the camera)? She does all but turn to camera, hold it up, and say "aaah - there's nothing like an ice-cold can of Pepsi". I actually laughed when I saw it.
Add timeJon Sandys
Question: How does he fold the Monet in half to fit into the briefcase? Originally I thought he'd separated it from the wooden frame (ie. just a canvas), but when he takes it out back at his house he holds it up, and the wooden frame's still in one piece. Also, surely folding it in half would crack the paint, but despite the painting being twice the width of the briefcase (it fits snugly when the case is open), he then shuts the case down to a "normal" size. Any ideas?
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