Taxi Driver

Character mistake: When Travis is buying guns, Easy Andy (the gun salesman) makes a few errors. Firstly, he states that the Smith and Wesson 61 Escort is a "Colt .25 Automatic." Secondly, he calls the Astra Constable a ".380 Walther." And lastly, he talks about the ".380 Walther" saying "during World War II, they used this gun to replace the P38. Just given out to officers." This is also incorrect.

Character mistake: In the scene where the gun dealer is showing handguns to Travis, the dealer shows off a gun he says is a Walther PPK, but in fact is a Bersa Thunder, which has a differently shaped trigger-guard.

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Suggested correction: Astra Constable (not a Bersa Thunder). This entry is also a duplicate.

Continuity mistake: While De Niro is talking to Jodie Foster you can see a bus out the window. When the screen switches to Jodie Foster's view you can see the same bus driving, but then it changes back to De Niro's view you see the same bus driving up to the window again. This keeps happening throughout the scene, the bus keeps driving around the building. (01:27:00)

More mistakes in Taxi Driver

Travis Bickle: Loneliness has followed me my whole life, everywhere. In bars, in cars, sidewalks, stores, everywhere. There's no escape. I'm God's lonely man.

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Question: Why was Travis labeled a hero at the end and not arrested? He murdered several people.

MikeH

Chosen answer: One theory about the end of the film is that it is Travis' dying thoughts, but this is not the view of Scorsese or writer Paul Schrader...they intended the ending to be ambiguous and an ironic critique of the media's, and the public's, reaction to and interpretation of violence (Travis is hailed as a hero for rescuing Iris, but we can imagine a very different reaction had he followed his original plan of assassinating a senator). Interestingly, when the film was originally shown on television, the following "disclaimer" of sorts accompanied the closing credits: "In the aftermath of violence, the distinction between hero and villain is sometimes a matter of interpretation or misinterpretation of facts. 'Taxi Driver' suggests that tragic errors can be made. The Filmmakers."

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