Visible crew/equipment: When moving into their apartment Patrick Swazye kicks the statue to make it swing so they can get it inside. As they are looking at the statue, two moving men cross in back of them carring a mirror and as they pass you can see the director and camera crew in the reflection.
Visible crew/equipment: When Sarah is fighting with Garcia in her home, for a brief moment 2 crew members are seen, one in white shirt and beige pants (looks like director Clint Eastwood) and the other wearing a blue shirt and dark pants. (01:24:15)
Visible crew/equipment: Towards the end of the movie, the Predator is climbing up the side of a tall building. Danny Glover jumps in his car to take off after it. As he starts to drive away, towards the left you can see the shadow of an elevated cameraman/equipment. (01:03:55)
Visible crew/equipment: When Kyle is fighting Chucky, she walks backwards into Joanne's dead body and jumps. Behind her in the mirror you can see the reflection of a boom mike bob down for a couple of seconds. (00:53:05)
Visible crew/equipment: In the scene were the adults go back into the sewer, and they have the feeling: "Something is coming", you can see the shadow of the cameraman, twice. One time, coming closer from a pipe, and another time, moving away. Look on the right wall/right on the floor.
Visible crew/equipment: When we first see McClane on the snowmobile, marks from the camera snowmobile are visible. (01:27:20)
Visible crew/equipment: When the Red October sub has surfaced to let the crew get off because of the supposed nuclear leak, there is a brief shot where you can clearly see the camera and its filming crew in their tennis shoes on the deck. (01:45:52)
Visible crew/equipment: As Nikita is dragged from the courtroom by the police, she rolls around. You can see that a pad has been taped to her lower back for protection. (00:11:45)
Visible crew/equipment: When a carload of bad guys drives past the front of Seagal's sister's house and riddles the front of the house with machine-gun fire, Seagal quickly slams the front door shut, and you can very clearly see all the stunt charges attached to the door.
Visible crew/equipment: When Mrs. Sullivan pulls up along the road, three crewmembers pushing the camera along are beautifully reflected in the side of her car. (00:57:15)
Visible crew/equipment: When Dr. Faxx is programming the new directives into RoboCop, the camera pans around RoboCop's body. You can see the reflections of a camera and a crew member on RoboCop's helmet. (00:47:55)
Visible crew/equipment: When Mel and Goldie enter the salon on the motorcycle, you can clearly see the ramp used to help propel the motorcycle forward, just as Mel comes to a stop.
Visible crew/equipment: When Becker is shot while eating a sandwich and watching TV, the leads to his gunshot squib can be seen coming out of the bottom of his trouser leg as he reels back from the impact of the blast.
Visible crew/equipment: In the scene where Joey Zaza is murdered, one of his henchmen gets gunned down with a shotgun. Just before the blast hits him, the side of one of the wooden street stalls magically changes to a breakaway so he can crash through it dramatically, instead of just slumping down against it as he would in reality.
Visible crew/equipment: The scene where the red car explodes you can see the wires used to set off the explosives.
Visible crew/equipment: During the montage of the kid, there is a shot looking in from the front of the car (featuring Dick Tracy and his girlfriend, with the kid in the middle) where the back window is just a blue screen, and the black stage curtains (behind the car) are visible at the top edges of the screen. (00:26:30)
Visible crew/equipment: There is an entire scene done with a full room camera shot, and for the entire scene you can see the boom mic at the top of the screen.
Visible crew/equipment: You can tell when the maniac cop is getting burnt in the prison, that it's a stunt man wearing a protective bag over his head.
Visible crew/equipment: When Quaid and Melina hop into Benny's cab and are being chased by Richter, watch Benny. During the shots where the perspective is from behind Benny, you can see that it is a stunt driver in the car. His head is shaved neatly, yet Benny's hair is curly and frilly all over. (01:11:00)
Visible crew/equipment: When Paul is in the kitchen, he looks at the knives. In the stove is the reflection of a person with a white shirt, but Paul is wearing a red shirt.