Question: I know that the studio chose James Cameron to direct due to the strength of his script, but why wasn't Ridley Scott offered the chance to direct? And was the studio considering a sequel before Cameron joined?
Chosen answer: The studio was considering a sequel before Cameron was involved, but regarding directing it, Ridley Scott told "The Hollywood" in a 2008 interview, "They didn't ask me! To this day I have no idea why. It hurt my feelings, really, because I thought we did quite a good job on the first one." The studio liked Cameron's script and at that time he had enough clout to be able to insist on directing it.
Question: At the beginning, Stretch asks the two punks in the car to hang up so that the call can end and the phone line can be clear. Why? Why can't she just hang up and end the call? This makes no sense.
Chosen answer: That's how telephones worked back then. It has to do with the lack of a disconnect signal being sent by the called party, which phone companies have now. Back then when someone called another person, they were paying for the call and thus it was felt that they're entitled not to be hung up on and the line would not be "free" for the person being called, even after they hung up. This also meant if someone was called and they picked up in one room, they could say "hold on I'm going to switch phones", hang up, go to another room and pick up the phone and the caller would still be there. It was also a great way to scam or annoy people by calling them and not hanging up. Some countries still maintain this method of operation, largely because some people have become used to it, although nowadays it's by choice, not by technical limitation, and the length of time the line is held open is significantly reduced.
Yeah that's actually true. in the 80s we used to call up talk radio shows from isolated, seldom-used phone booths and then leave the phone off the hook. No more calls for hours until they straightened it out with the phone company. we called it 'jock blocking'.
That's not true my brother would prank call KDKA in Pittsburgh constantly they had no trouble hanging up. If people called our house there was no trouble hanging up.
That's exactly how it worked if the line didn't have a disconnect signal.
Question: One of the early posters of this film shows a bearded guy (who is not in the film) coming through a wall crack and holding puppet strings with one hand. Who is this guy supposed to be and what does he represent?
Chosen answer: He does bear a striking resemblance to Stephen King. King was both the writer and director of this movie, and as such, was certainly the guy in charge of all the character's fates and pulling all the strings.
Answer: It is Stephen King.
Question: Near the end of the song "I am a dentist", is Orin saying "and a success" or "and I say sit"?
Answer: He says "and a success". He's singing about his mother telling him he'd become a successful dentist.
Question: What are those devices we see disappear from the wraith's arm and after the second and third race supposed to be?
Chosen answer: I believe they are markers to show how many people are left to take revenge on for his death.
The problem with that answer is that the Wraith had to kill five people (Oggie, Minty, Skank, Gutterboy and Packard) and he only had four of those metal braces. If he had one for each gang member he wanted revenge on, he would have had five. I think he was only given four chances to crash his car and reassemble, and once they were gone, that was it. That's why he killed Skank and Gutterboy at the same time.
Question: Would the interference from the plutonium keep the RC car from working?
Answer: Radiation wouldn't necessarily affect a remote control car. It would contaminate it, but beyond that the car would continue to work.
Question: Well into the movie, Seth's computer, which uses voice recognition, can no longer recognize his voice due to his transformation. How then, did he hook up the three telepods and execute the final sequence if he couldn't get into his computer?
Chosen answer: He just used the keyboard. We see him typing on it several times before this scene, so the computer is not voice command only.
Question: Early in the film, Rawhead Rex kills a farmer, but the farmer's pregnant wife gets Rex's attention and he goes toward the house. She runs upstairs to hide but the monster follows, cornering her in the bedroom. He reaches out to her, but then relents and spares her for some reason. The movie never really explains why. Can anyone explain why he let her live?
Chosen answer: Pregnant woman (and possibly women on their periods) are his weakness and the only thing he fears.
Question: How did Graham know that Dollarhyde was the man committing murders, and that he drove a van just because the home videos were processed at the lab where the latter worked?
Chosen answer: He figured out earlier that the Tooth Fairy drives a van. Graham noticed that at one of the houses, the Tooth Fairy knew everything he had to do and bring with him and at the other house, he didn't know about the new lock on the door. He concludes that this is because the Tooth Fairy got his information from the same home movies that Graham was watching. Once the films were traced to the lab where Dolarhyde worked, it was easy to link them back to him as the only person who'd had access to both families' videos and also drove a van.
Question: Normally, whenever Jason gets shot, struck with a machete or an axe, or stabbed with a knife, he shrugs it off. So why was he angry when Roy shot him with a paint gun?
Chosen answer: He wasn't really angry, more like confused and annoyed at having paint shot at him.
Question: Why did Kane want to abduct Carol Anne so badly and what would he have been able to do if he succeeded?
Answer: He is in the first movie and is referred to as "The Beast." In this movie he is in his human form and he want Carol-Anne because he believes that she can lead him and his people into the light and crossover from this world to a better place.
Question: What is Cob watching on the TV after his first war flashback, right before the kid appears in the window?
Answer: That's the horror movie Don't Look in the Basement (1973), at its own timecode 01:09:30 within that movie.
Question: In the shot where John Ryder is in the van and uses a metal like object to unlock the handcuffs. When Jim Halsey was to be talking to John in prison, they are holding hands. I was wondering if Jim could've put the metal object into John's hands, so that John could escape and Jim could kill him himself? As like a kind of getting back at thing for all that he had to go through.
Answer: What you see him playing with is a link on the chains around his waist - note chains, not handcuffs. We know he's a resourceful guy, and just before he escapes, we see the two guards playing cards, with the shotgun loosely on one's lap - based on what we know about the configuration of the truck, John would have easily been able to leap forward and grab the shotgun while we see Jim driving up to the truck. John then shoots the guards with the shotgun we now know he just grabbed.
Question: The bullies think there is a real high school reunion going on. Yet having sat outside the boarded up and abandoned school for 3 hours, they do not seem in the least surprised and begin to doubt a reunion is taking place. They are not suspicious even when they have to break a window to get in to the school.Surely they would be suspicious by then and not go in?
Answer: It really was all down to James Cameron having already written the script and proving himself capable of directing with 'The Terminator.' It was just a quicker, easier, and almost certainly cheaper decision to let him direct his own script rather than get someone else, even Ridley Scott. While the producers had wanted to make an 'Alien' sequel almost immediately, at the time the head of 20th Century Fox didn't want to pursue it fearing it would be seen as an obvious cash-in and flop. When a new executive at the studio came in a couple years later, the project was put back on track, and I believe Cameron was the first to be approached to write the script.
TonyPH