Best sci-fi movie visible crew/equipment of all time
Visible crew/equipment: During the scene where Neo is talking to Agent Smith in the park area where Neo was talking to the Oracle, there is a close-up on Agent Smith's face. In his sunglasses you can see a bright white screen to reflect the light onto the faces of the actors. This isn't visible in any non-reflected angles. You can also see the cameraman on the other side.
Visible crew/equipment: When Spider-Man is rescuing Mary Jane from falling to her death from the balcony, he catches her and spins his web to the balcony to save her and they bungie to just inches from the ground. As they are preparing to bounce back up the shot rotates 90 degrees and you can see the counter weight that pulls them back up coming down to the ground. It's a weird one, this - there's a sound effect as the weight comes into view, so it's meant to be there (or else the sound's just a cover), but it can't be anything he attached his web to, as it was stuck straight onto the balcony. If it's falling, they should be too - his web's not pivoting around anything.
Visible crew/equipment: In the scene where John, Sarah, and The Terminator are in the Cyberdyne building. They have just come down in the lift into the lobby where the SWAT team are waiting and firing gas cylinders. Arnie says his "I'll Be Back" and walks out of the lift. The SWAT team issue various instructions, then say "Ok - drop him!". Now - look carefully. The second they start to fire, look at the SWAT member who is furthest to the left and standing up. If you look right by his shoulder as soon as they start firing, what looks like a crew member walks into the scene, with his hands in his pockets!
Visible crew/equipment: In Mary Ann's kitchen, just as Ray comments, "Ok, well you hungry? I'll get you some food," the clear reflection of a male crewmember moving around is visible in the glass window behind Ray. Then just as he says, "This is ketchup and mustard," another older male crewmember is visible directly in front of Rachel's reflection.
Visible crew/equipment: Watch carefully the scene where the raptors enter the kitchen (that angle where you can see almost the whole kitchen while raptors are coming in from the far away door). As the first raptor enters the kitchen, you can see someone grabbing its tail to hold the puppet-thing steady.
Visible crew/equipment: Just after Lockdown stabs Optimus in the chest with his own sword, Cade runs closer and shoots at Lockdown. He then hides behind some bricks. In that shot, the bricks are a broken wall that is two separate pieces. Then it cuts to a different shot as Lockdown returns fire at Cade, and now the wall is one piece. Not only this, but some random guy suddenly appears in the shot next to the wall and right where the explosion happens where Lockdown shot the wall. He is wearing the same color clothes as the wall and only visible for a moment. There was no other guy present until that moment and he just suddenly appears behind Cade and gets hit. It's presumably a special effects member setting off the charge in the wall by the looks of it and it detonated before he got out of the shot.
Visible crew/equipment: During the scene when Lou Costello is reading the narrative on Count Dracula we see the coffin door open and the candle on top of the box starts to decend. By the angle of the coffin door the candle would have easily fallen to the ground. If you look carefully you can see a thin black cord attached to the candle.
Visible crew/equipment: When one of the government cars drives alongside the boys on their bikes as they're nearing the bottom of the hill, in the closeup of the car the reflection of a crew member wearing a cap can be seen on the back passenger window, just as the driver speaks into his radio mic and says, "We got 'em," at the start of the shot.
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Visible crew/equipment: When Lois pulls up to the house where the blackout was traced to, she hears some music coming from the boat down at the dock. As the camera pans upwards over the car, as she steps out, the whole camera and a crew member are reflected in the side of the car.
Visible crew/equipment: When Gregorio slams on his brakes the car stops alongside the sidewalk, in front of the private school. In the next shot he calls out, "Juni, Juni!" as Juni stands by the open car door. First, a large boom mic and the reflector screen are wonderfully reflected in the car window, before he closes the door. Then when Juni closes the door, a car is reflected on the door, though it is impossible for it to be there since a gate, which is visible in the following shots, stands at the edge of the sidewalk on the car's left side. Some crew members, one of which is behind camera equipment and another holds the boom mic pole, are also reflected in Gregorio's door on the left. Then as Juni walks away, the boom mic moves back and forth in the reflection near Gregorio's face to pick up the actors' audio.