Bishop73

9th Oct 2017

Be Kind Rewind (2008)

Jerry: [Talking about The Lion King] It's deeply deep. 'Cause the uncle kills the nephew's father.
Old Lady: Which is his brother.
Jerry: That's his brother. He kills his own brother, right? That's some heavy Shapeskearean shit.
Mike: [laughs]
Jerry: What's funny?
Mike: Shape...nothing.

Bishop73

8th Oct 2017

Criminal Minds (2005)

To a Better Place - S13-E2

Question: There seems to be an error. When Alvez and J.J. call Reid about Billy's grandma's house, he says Garcia told them after the grandmother died the city said the house wasn't up to code and they don't think anyone is living there. However, the electricity is on in the house. Would the city allow a house not up to code to keep the electricity on? Plus, since Billy doesn't live there and the only resident died, wouldn't the power be shut off anyways, meaning Billy would have to get the power back on in his name (or at least someone living's name)? But if the power is on, why wouldn't Garcia be able to know this and confirm it's likely someone is living there from the power usage? Also, do cities do anything about houses not up to code to prevent people from living or squatting there?

Bishop73

25th Sep 2017

Overboard (1987)

Trivia: Director Garry Marshall appears in the film as the drummer in the band that's playing at the Fish Bowl, when Annie is looking for Dean.

Bishop73

22nd Sep 2017

Wrecked (2016)

Karen: Do you know what this means? We're in the kill zone of a black caiman.
Florence: A black gay man?
Karen: Do you, do you really think that's what I just said?
Florence: I don't know. It sounded like you said...
Karen: You think this is a kill zone of a black gay man?
Florence: Well, anything sounds stupid when you say it like that.

Bishop73

Frank Drebin: Faster than you could say spread 'em, I was inside the cold, gray walls of Statesville Prison. I was surrounded by pimps, rapists, and murderers. It was like being in the stands of a Los Angels Raiders game.

Bishop73

22nd Sep 2017

The Orville (2017)

Krill - S1-E6

Continuity mistake: When Bortus knocks Kitan into the turnbuckle, her arms slip to the 2nd rope. But in the next shot of her, her arms are now on the top rope.

Bishop73

19th Sep 2017

Passenger 57 (1992)

Audio problem: When Cutter rolls at shoots at Vincent, we can hear the distinct sound of his pistol. However, we see a shot of the pistol's slide in the open/locked position, meaning he's run out of ammo, but we can still hear the pistol being fired a few times after that.

Bishop73

19th Sep 2017

Passenger 57 (1992)

Continuity mistake: When Cutter is approaching the fence on the motorcycle, you can see a chain and lock around the middle. However, in shots from the other side of the fence, there is no chain seen around the middle.

Bishop73

19th Sep 2017

Passenger 57 (1992)

Continuity mistake: After Cutter crashes through the fence, you see the black box with the antenna that was sitting on the back of the motorcycle fall off. When he gets to the fairground, the black box is back on the back of the motorcycle.

Bishop73

19th Sep 2017

Passenger 57 (1992)

Trivia: At the fairground, when Rane and the two terrorists walk away as Cutter is arriving, there's a white Honda Civic seen. It's license plate reads "outatime", the same as the plate on the DeLorean in Back to the Future.

Bishop73

19th Sep 2017

Passenger 57 (1992)

Continuity mistake: When Cutter takes out the first terrorist in the bathroom, you can see the toilet seat is down (and the lid is up). When Cutter pushes him through the bathroom door, the seat and lid are both up. The seat is back down when the terrorist's head is dunked.

Bishop73

19th Sep 2017

Passenger 57 (1992)

Revealing mistake: When Rane jumps out of the hospital window and crashes through the umbrella, table, and people, you can see him land on an air mattress. Even though it's camouflaged to match the ground, you see it deflate under his weight.

Bishop73

19th Sep 2017

Passenger 57 (1992)

Continuity mistake: When Cutter enters the club for the luncheon meeting, you see him pull his hand out of his pocket, but in the next shot of him, his hand is back in his pocket.

Bishop73

14th Sep 2017

The Orville (2017)

Old Wounds - S1-E1

Continuity mistake: When Gordon starts to unpack his bag, he moves the flap all the way over. When John enters the room, the flap is still down, but in the next shot the flap is sticking pretty much straight up.

Bishop73

14th Sep 2017

The Orville (2017)

Officer Alara Kitan: Captain, there's a message coming in from Admiral Halsey. It says that an executive officer has become available and can rendezvous with the Orville at station 794.
Captain Ed Mercer: That's great. That's barely out of our way. Who is it?
Officer Kitan: He wants me to forward it to you privately.
Captain Mercer: Alright, send it to my station. [Reads message.] No. No, no, no, no.
Lieutenant Gordon Malloy: What's the matter?
Captain Mercer: [Running out of room] No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.

Bishop73

Clark Griswold: [reciting 'Twas the Night Before Christmas.] When what to my wondering eyes should appear, but a miniature sleigh, and...and Eddie with a man in his pajamas and a dog chain tied to his wrist and ankles. What the...?

Bishop73

Ellen Griswold: What are you looking at?
Clark Griswold: Oh, the silent majesty of a winter's morn. The clean, cool chill of the holiday air. An asshole, in his bathrobe, emptying a chemical toilet into my sewer.

Bishop73

Clark Griswold: What are you doing up, sweetheart?
Ruby Sue Johnson: Rocky bit my thumb. Him's nervous because Christmas is almost here.
Clark: Nervous or excited?
Ruby Sue: Shittin' bricks.
Clark: You shouldn't use that word.
Ruby Sue: Sorry. Shittin' rocks.

Bishop73

Mr. Shirley: Don't forget that report, Bill.
Clark Griswold: Yes, sir. Thank you, Merry Christmas. [To the executives with Mr. Shirley as they pass by.] Merry Christmas. Merry Christmas. Merry Christmas. Kiss my ass. Kiss his ass. Kiss your ass. Happy Hanukkah.

Bishop73

Jane Spencer: Oh, Frank, we're no good together. All you ever lived for was your police work.
Frank Drebin: And you're always busy trying to save the end zone layer.
Jane Spencer: Ozone layer.

Bishop73

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