Starring: Ron Howard, Don Knotts, Andy Griffith, Frances Bavier
High Noon in Mayberry - S3-E17
Deliberate mistake: While Luke and Andy are in the house, Barney, Gomer, and Otis are hiding on the porch, and Barney has the idea to turn off the lights in the house, so he goes to the circuit box located beside the windows on the front porch and switches the lights off. The problem is that this circuit box is located on the porch only for this episode as a plot point.
Visible crew/equipment: When Otis tries to escape from Aunt Bee's clutches by hiding in the laundry service van, just as Aunt Bee has the driver open the van's back doors we can see the reflection of the moving boom mic in the left window.
Opie's Group - S8-E9
Andy: Clara, sometimes a parent can't see what he should do, and sometimes it takes a person from the outside to show him. And I'd like to thank you.
Clara: Groovy.
Trivia: In Walker's Drugstore, among all the magazines by the wall there's a TV Guide magazine (from Oct 9, 1954) on the shelf, and on its cover is Lucille Ball the co-owner of Desilu Productions - which produced TAGS, and also filmed at Desilu Studios.
Question: Why is it when they were on the show the Darling sons never spoke? Would they be paid more if they did, or was this some sort of joke?
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Answer: It was a joke. They were supposed to be dumb hillbillies.
Both. According to later interviews with both Andy and the Dillards band (the real name of the band that played the parts of the Darling children, of which Charlene (Maggie Peterson - Mancuso was also a member) the reason the Darling boys never had any lines was because they would've had to have been paid if they spoke. In return for appearing without lines or pay, Andy promised to get as much of their music onto the show as possible which, he did. This obviously gave them a lot of exposure.