Buffy The Vampire Slayer

Go Fish - S2-E20

Continuity mistake: When Buffy is spying on Gage, she picks up a magazine to blend in. A few shots later, she's suddenly holding a completely different magazine. She didn't pick up a different one between cuts. It's supposed to be the same one.

TedStixon

Go Fish - S2-E20

Audio problem: When Xander finds Cameron's skin, he is gasping and puts his hand over his mouth. The audio of him gasping, however, isn't muffled at all as it would be if he had his hand over his mouth, revealing it was looped in after the fact.

TedStixon

Go Fish - S2-E20

Continuity mistake: After Willow says that the student was killed by being opened up like an Oreo "except without the chocolaty cookie goodness," Buffy's hands go from together to apart instantly between cuts. She then puts her hands back together only for them to be apart again in the next shot.

TedStixon

Go Fish - S2-E20

Continuity mistake: When Buffy is complaining to the others about getting in trouble over hurting Cameron in the library, her hands go back and forth from down by her sides to holding her hips between cuts a few times.

TedStixon

Go Fish - S2-E20

Continuity mistake: When Cameron is about to say "You like it rough" to Buffy near the start, you can tell he's starting to reach for her. It then cuts to the opposite angle and he starts to reach for her a second time.

TedStixon

Go Fish - S2-E20

Continuity mistake: When Buffy is talking to Cameron in his car near the start, the amount of light on Cameron's face coming through the windshield changes between cuts a few times. Sometimes the top is up over his eyes, sometimes it's down by his nose, etc. Also, depending on the angle, sometimes there's a purple glow on his face and sometimes not.

TedStixon

Go Fish - S2-E20

Continuity mistake: When Buffy and the guy are talking at the beach in the beginning, right before they hear a voice scream "Somebody help me!", the guy starts to turn to look at the tide. However, in the next shot, he's instantly facing Buffy again and then turns to face the tide a second time.

TedStixon

Becoming (1) - S2-E21

Continuity mistake: According to Giles in 'Revelations' there are 12 cemeteries in Sunnydale, but in 'Becoming Part 1', amongst others, Buffy agrees to meet someone (Angelus in this case) in 'the cemetery'. If there are 12 in the city, how would they know which one she means? (00:35:40)

Shay

Becoming (1) - S2-E21

Continuity mistake: Drusilla kills Kendra by cutting open her jugular artery and leaving her to bleed to death. When Buffy enters a while later, there is not a drop of blood anywhere. (00:41:40 - 00:42:45)

Becoming (1) - S2-E21

Continuity mistake: In 'Becoming, part 1' as Buffy kneels over Kendra's corpse you can see the door over her shoulder, it stays closed all the time. There is a cut to a shot of Buffy from behind showing a cop raising his gun, but he couldn't have come through the door without us seeing him in the last shot. (00:43:10)

Shay

Becoming (1) - S2-E21

Plot hole: In the flashback to Buffy in L.A., how did Angel get there with the front windshield of his car blacked out? Being a vampire, he obviously needs it during the day, but he also wouldn't be able to see traffic. And it just seems to be too much of hassle for him to remove it at sunset, just to reapply it at sunrise, just to remove it again, etc.

Cubs Fan

Becoming (2) - S2-E22

Revealing mistake: Throughout almost the entire sword fight between Buffy and Angel, from the far away shots, its clear that the actors are stunt doubles. It's very visible when there is a shot from the top. (00:34:05)

Becoming (2) - S2-E22

Continuity mistake: When Joyce is being interviewed by the policemen at the house, you can see the number outside the house, but it says 163 instead of 1630, the number on which Buffy lives.

Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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Chosen answer: "So goes the nation" seems to have been used on many occasions, with various different US states in the "As .... goes" section. Most commonly it seems to be California that's considered to lead the way, but probably most other states have appeared in the lead role at some point or another. Other things have also been used - no less a person that Pope John Paul II said "As the family goes, so goes the nation...". The origin of the quote format is unclear - in US politics it goes back into the 19th century, when it was Maine that held the title spot, but, while no definitive origin is known, it seems highly likely that it goes back considerably further than that.

Tailkinker

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