Buffy The Vampire Slayer

Passion - S2-E17

Audio problem: Jenny prints off the translation for the Ritual of Restoration from her computer, then spots Angel sitting across the room from her. As she gets up and starts walking towards him the sound of the printer can be heard but the paper has already finished printing.

THGhost

Go Fish - S2-E20

Audio problem: When Xander finds Cameron's skin, he is gasping and puts his hand over his mouth. The audio of him gasping, however, isn't muffled at all as it would be if he had his hand over his mouth, revealing it was looped in after the fact.

TedStixon

Enemies - S3-E17

Audio problem: While Faith is stabbing the demon in his apartment, we hear the sound of her knife going through, and him yelling in pain. However, the last sound of her stabbing him comes a little late: The knife isn't even touching him.

Who Are You? (2) - S4-E16

Audio problem: Near the end of the episode when Giles, Tara, Faith/Buffy and Willow arrive at the church and a police officer tries to stop them going inside Willow says, 'Oh no you don't understand (or words to that effect) but her mouth doesn't move at all, it was clearly dubbed.

Real Me - S5-E2

Audio problem: When Joyce is about to leave for the pre-show, we hear Xander say "Have fun, but not too much fun", but his lips never move.

Listening To Fear - S5-E9

Audio problem: At the start of the episode when Buffy and Dawn are with Joyce in the hospital room, Dawn starts eating jelly, and when Joyce starts speaking you can see in the left hand corner of the screen Dawn talking, but no words are coming out.

Once More, With Feeling - S6-E7

Audio problem: In the episode 'Once More, With Feeling', when Anya sings her first few lines of the song 'I'll Never Tell', you can still hear Xander talking about omelettes in the background, but for the last few lines he speaks (from 'I could do an omelette' onwards) you can see over her shoulder that his voice is dubbed. (00:13:10)

Once More, With Feeling - S6-E7

Audio problem: In the final song "Where Do We Go From Here", you can hear Spike still singing even after he has apparently stopped. He and Buffy continue singing until after the line 'When do the trumpets cheer'. It is noticeable because James Marsters sings the word 'cheer' slightly out of sync with everyone else.

Smashed - S6-E9

Audio problem: When Warren, Jonathan and Andrew break into the museum to get the diamond, Warren makes a hole in the glass, then pushes it through, but when it lands, it sounds like plastic, not glass.

As You Were - S6-E15

Audio problem: When Buffy has just killed the Suvolte demon and Riley is found out to have not told her it was a tracking only mission Sam says something like 'If we weren't under time constraints, I'd rip you a new one.' Riley then says 'Stand down soldier.' Buffy asks Sam, 'Is he your boss?' And Sam replies 'He wishes. We better regroup.' But her lips to not move when she says they have to regroup. You can see her mouth on screen and she is just smiling, not moving her lips at all.

troy fox

Sleeper - S7-E8

Audio problem: When Spike goes to the Bronze to find the woman he killed the other night, he asks a waitress if anyone had seen her. The waitress answers with "No, sorry." But her mouth doesn't move when she says "sorry".

THGhost

Never Leave Me - S7-E9

Audio problem: When Buffy is about to close the door as she goes into the bathroom, it actually never closes. But we still hear the sound of the door closing. (00:15:20)

Goodbye Iowa - S4-E14

Continuity mistake: When Buffy is talking to Riley, she puts the scarf on her head, on his hand. He talks to her and says "Maybe I am the bad guy," and in the next frame her scarf is back on her head again, then off again in the next frame. (00:24:20)

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Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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Question: Can someone please explain how exactly a Watcher knows who the chosen one is? In the season 2 episode "What's my line" Kendra explains that her parents gave her away to her watcher when she was young because they believed it would be best for her. How did they know about the slayer mythos and how did they know Kendra could be one? I always thought that when a new slayer is born it could be anyone; and that was no discernible factor in who would be the next one to become the slayer.

Azureth

Chosen answer: From what we see in the series, certain girls are identifiable as potential Slayers - Kendra clearly fell into this category. The identification method is presumably mystical in nature, but the Watchers' Council are pretty effective at that sort of thing, so they're quite good at tracking down the potentials ahead of time. Not perfect, though - it does appear that Buffy herself may have slipped through the net - certainly she had no inkling of what she was until she'd already taken on the role of Slayer. It is possible, however, that this was actually cultural - an American family would hardly be likely to turn over their daughter to some strange man for 'training', so the Watchers might have chosen to keep an eye on her covertly, whereas some other cultures (like Kendra's Jamaican parents) might be more willing to believe.

Tailkinker

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