Episode #1.4 - S1-E4
Continuity mistake: Richard asks the wife if it was unusual for the husband to get violent. She starts crying. Embarrassed, he hands her a handkerchief. When she is still seen from behind, notice her right arm; she lowers it, but in the next shot she is still sobbing in the theatrical pose she had before, hand on her forehead. (00:03:40)
Episode #1.4 - S1-E4
Continuity mistake: Poole and Camille take the confessed murderer to the beach. She is fainting, and Richard tells her "It's OK, it's OK." Camille is supporting her with one hand behind her back, which becomes one hand on her forearm in the reverse shot. (00:01:30)
Episode #1.4 - S1-E4
Continuity mistake: At the beginning of the episode, Richard stirs his cup of tea with a spoon; in the close-up of the puzzle board the cup is still on the table, but in the frontal views he is reaching for it and putting the spoon in before the cut, and he has it in hand in the one after. (00:00:15)
Episode #1.4 - S1-E4
Continuity mistake: With Fidel's arrival, Richard's straw changes position in his glass from pointed to the right, to the left. (00:24:00)
Episode #2.7 - S2-E7
Revealing mistake: When we see the killer deal the fatal strike, the pipe misses a mile to the left. (00:48:00)
Episode #2.2 - S2-E2
Character mistake: Dwayne takes only the thumbprint of Sister Marguerite before she leaves. (00:12:50)
Episode #1.3 - S1-E3
Continuity mistake: In the scene at Catherine's cafe, the lid on Richard's plastic bottle is off, on, off again. In the same part of the scene, the mug changes position between shots - its handle is pointing away from Richard or towards him, and when they ask him about voodoo, it even is alternatively in his hand or on the table depending on the angle, back and forth several times. (00:17:00)
Episode #1.3 - S1-E3
Other mistake: Inside Angelique Morel's residence, Camille spots an altar with pictures of an unnamed girl and says "This must be Angelique's daughter, Delilah." They went straight to the murder scene and from there to that shack, without time to consult files. Nobody mentioned the name of the daughter.
Episode #1.2 - S1-E2
Continuity mistake: In the ending, Camille throws her bag in the sand; between shots said bag is in entirely different spots and with the strap first on the left, then on the right. (00:50:10)
Episode #1.2 - S1-E2
Continuity mistake: Camille and Richard are interrogating the victim's parents. The scene begins and the dad has both hands joined, fingers stretched out. Next shot and he has fingers entwined and only a second later he stretches them to assume the correct position. (00:14:15)
Episode #1.2 - S1-E2
Continuity mistake: Richard is walking through the market fending off the various street vendors. There's a POV shot ending with a woman wearing a headscarf that offers him something that "looks absolutely delicious." In the following shot Richard is still dodging the woman, who gives way to him moving aside in an entirely different way. (00:02:05)
Episode #1.1 - S1-E1
Continuity mistake: Richard just closed the shack leaving the pet lizard behind, and is talking to the Commissioner who roped him into staying. Fidel and Dwayne are looking at them; the lighting in close-up differs noticeably from the wider angle (check out of the shadow on Dwayne's arm and on the wall). (00:50:35)
Episode #1.1 - S1-E1
Continuity mistake: DI Richard Poole is in front of the panic room, explaining how the murder happened. He is holding two evidence bags; the fact that the one with the .22 gun changes position between shots several times is made more obvious by the fact that the tag is visible, and each time Richard's fingers are covering different letters. (00:44:20)
Plot hole: The plot resolution hinges on the fact that the culprit gave the illusion of the door being locked while the lock was already broken. And he did that by jamming under the door a rusty old fork, through the usage of a string. However, this appears really far-fetched to say the least; if the door was obstructed by an object under it, it would have not given way as if the lock was busted. It would have dragged, created a screeching noise and scraping the floor leaving visible marks (which considered it's a locked room mystery, would have been investigated). The person breaking in was Jack, even, who is supposed to be really perceptive and crime-savvy and not the average person.
Continuity mistake: Mayor Catherine Bordey approaches Dwayne at the melon stand and talks him into forgiving his dad. During the conversation, she has direct sunlight on her right side (shoulder, face) in the shots with the camera closer to her, and no rays whenever the camera is closer to Danny John-Jules. (00:36:55)
Continuity mistake: At the silver wedding anniversary, Leon gives his speech about what everyone needs to "over-stand"; his hand is on the microphone, off it, on it again, etc.. (00:35:00)
Continuity mistake: Florence is listening to the tape recording with her arms folded. When Jack and Dwayne say that the two on tape had an affair, Florence makes a comment; her hand is raised open or on her upper arm depending on the angle. (00:33:10)
Continuity mistake: The Commissioner visits Jack at his desk to get updates. Jack is busy with the tuning fork; during the sequence it is quite evident that the distance between his hand and the fork is different in the two main camera angles used. (00:32:00)
Character mistake: JP says, twice, that the tapes found at the shack are from the same day Jasmine was murdered. Jack then says "June 5th, 1988." But as Commissioner Selwyn Patterson said, Jasmine was killed June 3rd. Jack repeats the date being the 5th later after the visit to Leon. Who's right, is anybody's guess. (00:14:25 - 00:31:20)
Continuity mistake: Dwayne literally points out of the various pictures with Maya Oprey. JP asks him sarcastically if he wants to do the talking. Danny John-Jules ' hands are joined when he says "If I must", but he has folded arms in the next shot. (00:21:40)
Answer: There's probably no particular reason. Sets and props on long-running TV shows often change as needed and for various reasons throughout a series run.
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