Factual error: The opening states the location as Bristol, England. Santa is drinking in a pub on Shirely Street (neither the pub or the street exist in Bristol), then shortly after is shown leaving from the rooftop, on his sleigh, with multiple high rise buildings in the background. Bristol does not have high rise buildings in the main city centre, only a few blocks of flats, which all have flat roof tops, not like those depicted.
Continuity mistake: When Pierce's wife is walking in her auto shop they pan down to show her red Louboutin heels, then they cut to her walking in her office, and when they show her shoes again they have a tan sole.
Visible crew/equipment: At the L.A. Convention Center, just before Castor Troy (as Sean Archer) disarms the bomb, there are a few shots of all the extras evacuating the area. In the interior shot, that looks out through the glass doors onto the street, the tracking crane arm with a seated camera operator and camera on its platform is visible as it shoots an exterior crane shot of all the extras, which was seen among the previous shots.
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Continuity mistake: SPOILERS: In the post-credits scene, after Henry's trap starts, in the second-to-last shot, you see him sort of start to shake and rear his head back. But then in the next shot, he's no longer shaking. Additionally, his head is down again and he rears it back a second time.
Plot hole: The whole premise of the movie is that due to a botched spell, people who happen to know that "Peter Parker is Spider-Man" are pulled inside this universe. It's a bit of a stretch already that amongst those people is...Peter Parker himself, twice over, but let's say it makes sense. The problem is that Jamie Foxx's Electro does not meet this condition; he never found out. You could say it's a retcon or it's a different universe from the original movie's, but even this cop-out explanation is negated by the movie itself when Max Dillon makes a joke that shows that he didn't know Spidey's identity or even race.
Suggested correction: Although Max didn't discover Peter's identity on film, an explanation of why Max knows his name IS offered. When the villains are talking about what happened before they found themselves in the MCU, Max indicated that once he tapped fully into the power grid and information systems, there was nothing he didn't know at that point. Since we know there is a clandestine organization tracking Peter from the end of ASM1, it's possible Max gained the info from their database.
In the interest of clarity, you refer to the one line that goes "I was stuck in the grid, absorbing data."? Nothing about tapping fully, and becoming omniscient as the correction presents. So we have to give it that specific meaning and make a connection to the obscure postcredit scene by Fiers in the unfinished trilogy that asks Connors if he said anything to the boy imagining that it produced data that was 'on the grid' somehow, and Electro never processed this information in the movie. Not sure if it's quite an"explanation offered", since the movie offers none. It's a 'possible' explanation like the other one people use, about hearing Gwen say Peter's name (I like this one better because at least it would give a special meaning to a throwaway line and I do I love attention to details).
Suggested correction: I don't find it such a stretch that he knew Peter's name but didn't know what he looked like.
When Spider-Man is explaining his plan to defeat Electro to Gwen, Gwen addresses him as "Peter." Electro was laying on the ground nearby and likely would have heard this. Presumably, knowing that Spidey's real name was Peter was enough to pull him in.
There are almost 10,000 "Peter" in New York alone in our world. Knowing just the super-common first name wouldn't cut it and the movie does nothing to support this theory, in fact does everything to undermine it (Strange's explanation, Electro's joke, complete lack of addressing it, etc). Also if he overheard that bit in the original movie, he would have also learned their plans to defeat him.
Suggested correction: I guess we're all going to ignore the fact that this Electro has a completely different look than the Max we saw previously. It's quite possible he's from a different universe.
He's not from a different universe than the Electro from The Amazing Spider-Man 2. The Lizard and the Andrew Garfield version of Spider-Man both know who he is, and he talks about events from the aforementioned film. His different appearance is also explained in the film.
All that means is he went through similar experiences and has a similar appearance as the Max they knew. Ala J. Jonah Jameson.
Suggested correction: It's not people who know who is Spider-Man that are spilling in, it's people who are connected to him in any way.
No, no. Strange says it explicitly "That little spell you botched, when you wanted everyone to forget that Peter Parker is Spider-man? It started pulling in everyone who knows that Peter Parker is Spider-man" and so on. That's why in the end they fix it by making everyone forget who Peter Parker is, not who Spider-man is.
Revealing mistake: When Amidala and Anakin are eating and he cuts her a piece of the fruit and "floats" it back to her, the bite appears in the fruit a split second before she actually eats it. [This appears to be fixed in rereleased versions]. (00:53:40)
Col. Nathan R. Jessep: Son, we live in a world that has walls and those walls have to be guarded by men with guns. Who's gonna do it? You? You, Lieutenant Weinberg? I have a greater responsibility than you can possibly fathom. You weep for Santiago and you curse the Marines; you have that luxury. You have the luxury of not knowing what I know: that Santiago's death, while tragic, probably saved lives and my existence, while grotesque and incomprehensible to you, saves lives.
You don't want the truth because deep down in places you don't talk about at parties you want me on that wall, you need me on that wall. We use words like honor, code, loyalty. We use these words as the backbone of a life spent defending something. You use them as a punchline. I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom that I provide and then questions the manner in which I provide it. I would rather you just said "thank you, " and went on your way. Otherwise, I suggest you pick up a weapon and stand a post. Either way, I don't give a damn what you think you are entitled to.
What movie is this quote from? Might be obvious, might be obscure... Take your pick and see how others did!
Trivia: Hattie McDaniel's portrayal of Mammy earned her an Academy Award, the first to be given to an African American.
Continuity mistake: When the house first becomes detaches from its foundation and becomes airborne, Russell is nowhere to be seen, although every angle of the house is shown, including underneath, the front porch and the back porch. He knocks on the door and tells Carl he chased a "snipe" under the porch - but he cannot be seen after liftoff and prior to knocking. The same thing happens near the end, when Dug claims to have hidden under the porch.
Deliberate mistake: When Tarzan fights with the leopard, it scratches his chest. However after they fall into the pit and Tarzan comes out carrying the dead leopard, the scratches on his chest have amazingly healed. [It is a long-standing Disney tradition that no evidence of violence is shown on screen. Still a mistake, but there's why].
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