The-Immortal

Corrected entry: When Jack is talking with Murtogg and Mullroy, the two then begin to argue amongst themselves, while Jack is in the background sneaking aboard the ship. Mullroy is holding his weapon next to him with the sworded edge, yet when the camera cuts to behind it's nowhere to seen, obviously allowing for the camera. From the front view it's back by his side, it is like this for several shots. (00:12:40)

The-Immortal

Correction: Mullroy's bayonet is visible in all shots, it never disappears. In the two shots facing Interceptor Mullroy holds his fixed bayonet beside his head, directly in front of his right shoulder - at the edge of the left side of the screen, just as in the other shots.

Super Grover

Corrected entry: In the opening shot when the camera pans towards to ship, note there is no large plank holding a sail, yet when we see Elizabeth and you look in the background, a plank and sail has suddenly appeared. (00:25:00 - 00:50:00)

The-Immortal

Correction: In the opening shot of the film, just as it starts panning in on Dauntless in the foggy mist, the spritsail yard - with its furled spiritsail (the "large plank holding a sail"), IS visible in front of the fore-mast sail, directly above the ship's prominent figurehead, at the top of the screen. Much of the length of the bowspirit - from which the spritsail yard hangs, is blocked from view by the figurehead, as the shot is angled up, however, in the following shots on forward deck the bowspirit is more visible (note the figurehead below it).

Super Grover

Correction: After Barbossa slices Elizabeth's palm, in the first shot, he squeezes her hand closed so the blood stained medallion is tightly enclosed within her grasp, and as Barbossa grips her hand he turns her hand so it is palm side down, over the Aztec chest. It cuts to two shots of the pirates hooting and hollering - and we do not see Elizabeth's hand. Then in the fourth shot Barbossa holds Elizabeth's wrist, as he forces her to drop the medallion. There is plenty of time between the first and fourth shot for Barbossa to change his grip.

Super Grover

Corrected entry: Just after Elizabeth threatens to drop the gold coin into the sea, her body's direction changes in subsequent shots from turned at a side to facing the captain of the Black Pearl. (00:38:20)

The-Immortal

Correction: While Elizabeth's head faces Barbossa, the position of her body remains consistent within the shots, as she stands beside the guard rail holding the medallion over the water.

Super Grover

Corrected entry: In the middle of the film when we see Jack and Will looking over their new crew members, Jack gets to Annamaria, and when the camera looks at the ship it's side on, yet when it cuts back for another view of the ship a few shots later, it's pointing in Jack's direction for a perfect camera shot of the Interceptor. (00:59:55)

The-Immortal

Correction: When Jack begins to inspect their able-bodied crew in Tortuga, Interceptor is moored in the distance, on open choppy waters, and it visibly moves on the water. As Anamaria says, "I will!" the ship is seen, and four shots later when Interceptor is seen again, it is only a bit turned starboard as it bounces on the choppy waters in the following shots - it is certainly not "pointing in Jack's direction."

Super Grover

Corrected entry: When Elizabeth is on her way to the Black Pearl, the first shot we see is from behind the captain, and if you watch this scene closely you don't see anyone entering the main part of the ship from the right, but when it cuts to Elizabeth there is already the bald pirate on the ship, and Elizabeth is climbing over. (00:36:20)

The-Immortal

Correction: In the first shot, Elizabeth is still in the small boat between Pintel and Ragetti. As the next wide shot opens from bridge deck, the small boat is being hoisted by the pirates at starboard side down below and is still below deck rail, as the camera pans back behind Barbossa. In the next shot, the small boat is well above the rail as Ragetti and Elizabeth are at the top of the ladder and walk through the deck rail, while Pintel stands on deck. These three consecutive shots are deliberately cut to indicate time compression for the following: When the small boat pulls alongside the Black Pearl, Pintel, Ragetti and Elizabeth step out onto the ladder mounted on the Pearl's hull that leads to the deck. As they climb up, the boat is being hoisted up beside them, so that by the time they all reach the deck, the small boat hangs above them.

Super Grover

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