Inception

Character mistake: On the Shinkansen train, Cobb says, "I'm getting off in Kyoto." Not exactly wrong, but a moment afterwards they are in Tokyo and you see the Tokyo skyline.

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Suggested correction: Yes. He gets off at Kyoto and says "every man for himself." Perhaps this stage of the plan was for him and Arthur to split up to avoid a tail (we do see later that he is being tailed). But regardless of the reason, we see that it is daylight when he leaves the group to get off at Kyoto. Plenty of time for him to be in Tokyo by nightfall.

jshy7979

Stupidity: Cobb convinces Fischer to enter a dream saying it's Browning's dream. A couple of scenes later he says it's Eames' dream, in front of Fischer, who doesn't know Eames was impersonating Browning. (00:51:35)

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Suggested correction: Firstly, the Browning that the team "catches" is not Eames, it is a projection of Fischer's subconscious. Eames was only impersonating Browning in the first level. Secondly, Cobb doesn't say they are going into Browning's dream, he says they should put him under and do to him what the kidnappers were planning to do to Fischer. That is, use Fischer as the subject of the next dream level. Fischer knows that Eames is the dreamer on the third level, he even jokingly asks why Eames couldn't dream of a beach. But he thinks that Eames is part of Mr. Charles' security team. He believes that Browning is to be the subject on the last level when in fact, Fischer is the subject on each level. Because of how effective the Mr. Charles gambit was, Fischer is unaware that the team has been fighting his subconscious all along.

BaconIsMyBFF

Revealing mistake: When Ariadne is pulling the two huge mirrors close together underneath the bridge with Cobb, watch her when she is closing the second mirror. She steps over something even though there is nothing present for her to step over. There must have been a green screen frame there for her to step over.

More mistakes in Inception

Cobb: We need the heir of a major corporation to dissolve his father's empire.
Eames: Well, you see, right there you have various political motivations and anti-monopolistic sentiment and so forth, but all that stuff is at the mercy of your subjects own prejudice. What you have to do is start at the absolute basic.
Cobb: Which is what?
Eames: The relationship with the father.

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Trivia: The song that is played to wake everyone up is Edith Piaf's "Non, je ne regrette rien". Marion Cottillard (Mal) played Piaf in the biopic La Vie En Rose and won an Oscar for it.

Jedd Jong

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Question: When Cobb finally gets home to see his children at the end why don't they look any different from his memories? The story implies that he's been gone for a long time yet they don't appear to have aged.

Answer: The answer above is solid and I agree, but there's another plausible way of looking at it. It is implied at the end that Cobb could still be dreaming (we never see if the top stops spinning). If that's the case, then he would likely dream his children to be exactly how he remembers them.

jshy7979

Answer: The story really doesn't imply too heavily exactly how long Cobb has been on the run. Very few clues are given, so it could quite plausibly be less than a year since his wife's death, in which case their children would not have aged dramatically. Their voices on the phone seem compatible with children of the ages shown at the end of the film and Cobb shows no concern when reunited with them that they should be older than they are. Two sets of children are listed in the credits, of different ages.

Tailkinker

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