Inception

Dom Cobb and his wife Mal created their own dream world for themselves. Until Mal began to believe that the dream world was real. Cobb performed the art of inception on her to make her realize that it was a dream. What Cobb didn't anticipate was that Mal would think the real world was a dream too. Mal kills herself to "wake up". Framed for her death, Cobb is on the run. When he fails to extract key information from the mind of businessman Saito, Saito strikes a deal with him: If Cobb can successfully incept an idea in the mind of Fischer, heir to a multibillion dollar empire, Saito will clear Cobb's name.

moviedragon

Revealing mistake: When Ariadne is pulling the two huge mirrors close together underneath the bridge with Cobb, watch her when she is closing the second mirror. She steps over something even though there is nothing present for her to step over. There must have been a green screen frame there for her to step over.

More mistakes in Inception

Cobb: We need the heir of a major corporation to dissolve his father's empire.
Eames: Well, you see, right there you have various political motivations and anti-monopolistic sentiment and so forth, but all that stuff is at the mercy of your subjects own prejudice. What you have to do is start at the absolute basic.
Cobb: Which is what?
Eames: The relationship with the father.

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Question: When Cobb finally gets home to see his children at the end why don't they look any different from his memories? The story implies that he's been gone for a long time yet they don't appear to have aged.

Answer: The answer above is solid and I agree, but there's another plausible way of looking at it. It is implied at the end that Cobb could still be dreaming (we never see if the top stops spinning). If that's the case, then he would likely dream his children to be exactly how he remembers them.

jshy7979

Answer: The story really doesn't imply too heavily exactly how long Cobb has been on the run. Very few clues are given, so it could quite plausibly be less than a year since his wife's death, in which case their children would not have aged dramatically. Their voices on the phone seem compatible with children of the ages shown at the end of the film and Cobb shows no concern when reunited with them that they should be older than they are. Two sets of children are listed in the credits, of different ages.

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