Corrected entry: When handling katanas and Japanese swords, if you are serious about keeping and collecting them, you do NOT make that snapping noise at the end when you put it back into the sheath. Both the sword-maker and 'the bride' do this all the time.
Corrected entry: The dead bodies at the House of Blue Leaves keep changing positions.
Corrected entry: In The House Of Blue Leaves, the line spoken between The Bride and O-Ren, "Silly rabbit, Trix are for kids", is a double reference to The Bride's real name, Beatrix. First, her name could have been shortened by the other DiVAS to Trix (as some sort of nickname). Also, the author of 'Peter Rabbit' is named Beatrix Potter, giving the "Silly rabbit" part of the line. This line was most likely written to be some sort of inside reference between the two characters.
Corrected entry: In the battle at the House of Blue Leaves, there is a period of time where the film becomes black and white. During this time much of the blood is clear, revealing that it is actually just water or a similar substance, as so to save money from fake blood. The black and white coloring makes it a little harder to notice.
Corrected entry: Uma cuts off both of Sophie's arms (the other one in the car boot, which can be seen in the Japanese cut of the movie), but when Sophie tumbles down the slope near the hospital, she still has one arm. (01:39:00)
Corrected entry: A coma patient without a foley catheter (for urine drainage)? Not possible. If Buck removed it so that Larry could have sex with her, he would have done it just before leaving the room. Even if he had removed it earlier, it's very unlikely that he would have taken the time to also remove the catheter bag (urine collection bag that would be hanging down next to the bed), which is also missing.
Corrected entry: When Hattori Honzo hands The Bride her sword in a very formal manner she responds with the word 'domo' - thanks. As she is obviously fluent in Japanese she would no doubt be aware that this casual term would be inappropriate for the occasion and possibly cause offence. More accurately she should have responded with 'arigato gozaimasu'.
Corrected entry: The Bride wakes after four years in a coma. She is as weak as a kitten, unarmed and friendless. Given the choice of on whom to first extract her revenge, which does she pick; 1) The leader of organized crime in a country half way across the world who is guarded by 88+ bloodthirsty bodyguards? Or, 2) The woman who has left the business (and gone soft), lives within driving distance and is likely to be alone during the day? Of course she chooses 1.
Corrected entry: When Black Mamba returns from Tokyo after killing Ishii, the movie shows the plane in an orange sky. If you look above the front of the plane closely, you can see a piece of metal connecting a fishing line.
Corrected entry: Count the seconds between the clunks of the waterfeature during the climax of the film in the snow-garden. The clunks are never the same amount of time apart, which you would expect from a feature like that. (01:26:35 - 01:27:30)
Corrected entry: Gogo went in with white shoes. She dies with red shoes.
Corrected entry: When the bride picks the Hatori Hanzo sword from the rack she begins to remove it from the scabbard. Her left hand is at the opening of the scabbard as she starts to pull out the sword. The shot from further away when she totally removes the sword her left hand has moved further down the scabbard, away from the opening. (00:52:40)
Corrected entry: It seems all the Tarantino films have some sort of "trunk-view" camera shot. Reservoir Dogs has Mr. Blond showing off his nabbed police officer who he kept in the trunk. Jules and Vincent get their guns from the trunk and discuss "we should have shotguns" during the trunk-view. Samuel L. Jackson makes a guy get in the trunk, shoots him, and later shows the body in the trunk to Robert DeNiro. The Bride in Kill Bill explains to Sophie the reasons she has left her alive all during an inside-the-trunk view. I'm beginning to see a pattern.
Corrected entry: In chapter 2, at the chapel of "El Paso", the groom didn't wear a morning coat, although in "Kill Bill 2" he did. It's supposed to be the same moment in time.
Corrected entry: When the Bride is looking at Hattori Hanzo's various swords in his loft, she reaches for one in a reddish brown scabbard. Hanzo tells her to reach for a different one. When the whole display of swords is shown, there is no reddish brown scabbard on any of the swords. (00:51:55)
Corrected entry: The Bride prominently displays her katana on the Air-O flight to Tokyo. The sword is never seen when the Bride rides to the House of Blue Leaves, nor is it on her person up to, and including the scene where she encounters Sophie in the ladies' room. The first time it appears is when the Bride hacks off Sophie's arm.