Close Encounters of the Third Kind

Revealing mistake: In the scene where Ronnie cuts out a newspaper article about the UFO sightings, the night after Roy's first glimpse of the UFOs, two identical articles on Star Wars (1977) are on either side of the UFO article.

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Suggested correction: The articles aren't identical, they are continuous. I read them. Only the title, "wars" is identical.

Revealing mistake: When the UN team arrives in the Gobi desert, there's one shot where the helicopters and trucks are parked. They're supposed to be moving, but you can tell from the way the flags are moving that the wind is only coming from the helicopters.

Dr Wilson

Revealing mistake: The morning after Ronnie and Roy's big fight, Roy starts cleaning up his clay "sculpture." Before he pulls its upper portion off, you can see the pre-made seam (which is poorly disguised by the clay) where the top is attached to the bottom. When he tears it off, the lower portion is perfectly smooth and flat on top (simulating Devil's Tower) where it was obviously pre-cut.

raywest Premium member

Revealing mistake: When the gigantic mother ship appears and sweeps over the rendezvous base at Devil's Tower, the camera cuts to look straight up at the advancing craft as it blocks out the starry night sky. Watch carefully to see some stars passing right through the leading edge of the mother ship, revealing a flaw in the traveling matte effect.

Charles Austin Miller

Revealing mistake: The huge UFO opens its door and a brilliant light comes out, but from the opposite angle, the reflection on the people's glasses is a black landscape and a tiny spot of light.

Sacha Premium member

Continuity mistake: Before Roy takes the top of the clay-mountain off, the model has smooth sides. When he is about to tear it, it swaps to striped sides.

Sacha Premium member

More mistakes in Close Encounters of the Third Kind

Project Leader: If everything's ready here on the Dark Side of the Moon... play the five tones.

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Trivia: Spielberg wanted to use the music When You Wish Upon A Star from Disney. It can be barely heard in the original film score in 1977. John Williams later put a very clear version in the closing credits in the Special Edition version and in the current DVD and CD.

Larry Koehn

More trivia for Close Encounters of the Third Kind

Question: I would really like some insight on a burning question I have had since seeing this movie as a child in 1978, when it came back around in theaters in eastern Canada, where I grew up. Not knowing much about American history in school, I didn't know at the time that there even was a Devil's Tower, or that it had been made the first US National Monument in 1906, and as such would have been famous to all American citizens. I still remember loving the psychic element in the film where our heroes agonize internally about the strange mound shape seen only in their heads, to be finally rewarded and deeply relieved with news footage later in the film which solidified their visions into something tangible and concrete (igneous rock actually!) Thus, as a boy knowing nothing about the tower in Wyoming, this part of the film played perfectly into the fantasy for me-it sold me all the way. But why or how did this work for Americans at the time the film was new? In the film, we are to believe that our adult heroes knew nothing of the tower before their initial close encounters, and were shocked to discover that it actually existed. Again, for me, Devil's Tower was an absolutely incredible and awesome choice, and made me love the film all the more for it. But I would like to know how Americans felt about it during the film's 1977 and later 1980 re-release? Was it just as awe-inspiring for them as well, or was it more like: "Duh-you're driving your family crazy making models of a natural rock formation everyone knows is less than 90 miles away from Mount Rushmore?" I would really appreciate an answer, because for me, the tower's news-footage "reveal" was a huge moment in the film, and really does provide the kick-start that launches the entire third act of the film. For American audiences, why was it not the same as if Roy had struggled to attach a garden hose under a hastily-built plywood model with a hole in the middle, because the aliens implanted a vision of "Old Faithful" in his head?

Answer: Devil's Tower really is out in the middle of nowhere, and in one of the least populated states (it's "only" 90 miles away from Mt. Rushmore, but it's an incredibly boring 90 miles of mostly empty plains) so it didn't make for a convenient tourist attraction like other landmarks and thus didn't garner as much fame (it's actually much more famous nowadays, thanks to this movie). That said, the movie seems to have cleverly provided two separate "reveals" for this plot turn: those familiar with Devil's Tower will recognize it when Richard Dreyfuss knocks the top off his sculpture, giving it the distinctive "flat top" shape; then, only minutes later the rest of the audience will discover it along with the characters during the news broadcast. It wouldn't surprise me at all if this was set up deliberately keeping in mind the landmark's status of "kind of famous but not really THAT famous."

TonyPH Premium member

Your explanation (and the other answer) helps makes the overall plot more understandable. The French scientist, Lacombe, mentions that there were probably hundreds of people who were implanted with the Devil's Tower image in their minds. As pointed out, it is not a particularly recognizable landmark, which would explain why many never made the connection to it.

raywest Premium member

Answer: "Devil's Tower" is, indeed, a national landmark. However, it isn't one of the most famous, nor most iconic. It isn't nearly as widely known as, say, the Grand Canyon, the Mississippi River, Niagara Falls, or the landmarks you mentioned - Mount Rushmore and Old Faithful Geyser. But, as you stated, its imposing form does fit so nicely into the aura of the film's alien encounter. Devil's Tower isn't something everyone knows by shape. And for those of us who do, it doesn't require much suspension of disbelief to posit that the characters in the film wouldn't have put it together prior to the news footage.

Michael Albert

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