The Crow: City of Angels

Factual error: Throughout the movie, we can hear Ash's motorcycle shift gears, but we can see that his hands never disengage the clutch, a must do for a smooth shift like we hear.

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Visible crew/equipment: In the scene where Curve is running away from Ashe, and Ashe has jumped off the car and has gone to his Motorcycle, there is a crew member in black in the lower right hand corner that pushes Ashe's motorcycle so that it looked like he was taking off.

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Dgurl

Continuity mistake: In the scene where Ashe is burying his son, when they show his face as he's piling up the dirt there are no black lines on his forehead, yet in the next scene when they show him on his motorcycle, the black lines are back on his forehead.

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Continuity mistake: Where Ashe and Kali have the battle sceen in Sarah's room, they do a flashback to where Kali killed Ashe and his son. In the first flashback we saw, she said "hush little baby please don't cry, kali's gonna bring you eternal life". In the second flash back, she shoots the gun before she finishes that sentence; "hush little baby please don't cry, kali's gonna bring you eternal--"

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Continuity mistake: On the night Ashe and his son were killed, Ashe was working on his motorcycle, and his son ran out, Ashe ran after him and they were killed. But when Ashe comes back as the Crow, his motorcycle is ready to be driven.

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Quotes

Ashe: Do you know what they call a gathering of crows, Curve? A murder. A murder of crows. Think about it.

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Trivia

The film as originally intended was longer and more violent, had a non-linear narrative and a much darker ending. The studio forced director Tim Pope to re-edit the film to follow a structure more akin to the first film in order to capitalize on its success and also made him delete a number of key scenes. This lead to he and writer David Goyer disowning the film. The original workprint of the film that represented Pope and Goyer's vision was well over two hours long, as compared to the theatrical cut's anemic 84 minute run-time.

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