Continuity mistake: When Carter is shot at the very end of the film, his shot gun falls clear of his body. In the following shot as the sea washes around his body, his hand is resting on the gun.
Other mistake: At the end just as Carter is about to be shot, he is facing the sea as he goes to throw his gun away. At this point the gunman fires and hits Carter square in the forehead. The position of the gunman is shown as being behind Carter and to his right (this is seen when the gunman lines up to take aim). Even though Carter leans back as he throws his gun away, he would have been hit somewhere on the right side of his head or temple at best.
Visible crew/equipment: When Carter meets with Glenda on the bridge, a tracking shot of Carter trying to get away from the other thugs makes hard shadows of the camera on every pillar it moves by. (01:22:00)
Continuity mistake: When the woman that Carter has slept with is walking up stairs while nude, the position of the robe she carries changes between shots.
Continuity mistake: The Ford Cortina that Jack Carter drives in the film changes number plates. The first time we see it in the film (tailing Kinnear's Cadillac) its registration number is YBB372H. For the rest of this car's appearances in the film, the licence plate is YBB371H. The front bumper is also missing when Carter first drives to Kinnear's house, and mysteriously reappears before being ripped off in a later scene. (00:24:20)
Continuity mistake: The Land Rover that Kinnear's henchmen drive around in at the start is the same Land Rover that the police arrive in to arrest Kinnear at the end.
Continuity mistake: When Kinnear's house is raided by the police a maroon Humber Hawk is parked facing the house wall when they go in, and facing away when they drag Kinnear out.
Visible crew/equipment: In the scene where Carter is cornering Thorpie in the men's cloakroom, watch the tracking shot as he's checking the stalls. The shadow of the camera crew is plainly visible on the wall beside him.
Continuity mistake: When Jack enters the pub after arriving in Newcastle he walks past a man with long hair and a beard who looks at Jack. The next shot has Jack walking further into the pub and along the bar. The same man Jack walked past is now sitting at the end of the bar.