Amadeus

Amadeus (1984)

17 mistakes

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Factual error: During the scene where Mozart is being carried away in his coffin by horse and cart there is a brief shot where he is being taken down a muddy path and a farmer is seen with his cows. If you look closely to the left side of the screen you can see a large overhead power line. If you look even more closely you can even see the wires coming out of the pylon. The movie is set in the 18th century and obviously it obviously should not be there. (02:50:50)

ItsGav

Visible crew/equipment: When Mozart and family visit a parody on several operas of his in a public theater, in one part of the show little people appear from all sides of the stage. When the last of the little people (carrying a model of horse) hops through a paper wall on the side of the stage, you can see a man in jeans walking behind the set.

Continuity mistake: In the extended version of the DVD, there's a scene where Constanza goes to sleep with Salieri. In one shot there's a very prominent candle next to or just behind her on her right that smoking like it's just been extinguished. But from the front view there are no candles that close to her, and the ones a short distance away are all lit.

Krista

Continuity mistake: When Salieri has brought Mozart to bed and they are talking, Salieri is holding the candlestick. In the different views - from Mozart's and Salieri's - it can be seen that the angle he holds the candles changes. The line between the candles changesi. So Saleri held the candlestick in another angle the second time the scene was shot.

Jacob La Cour

Continuity mistake: When Mozart is playing billiards (Director's Cut only) the balls move around on the table between camera shots, without him necessarily hitting any.

David Mercier

Continuity mistake: In the scene where Salieri is helping Mozart with the requiem the candles change appearance - and not just downwards because they burn.

Jacob La Cour

Visible crew/equipment: Mozart is composing The Requiem Mass when Constanze admits a late-night caller. The door she opens reflects a large, bright square of light that looks like a sun-lit window (only it's night) - or more likely, a studio reflector. (It's definitely not the burning candles. Wrong shape.). (01:55:00)

Jean G

Factual error: At the beginning of the movie when Salieri is first talking to the priest asking him if he recognizes some of his songs, they cut away to an opera. A woman can be seen descending stairs where there appears to be smoke falling down the stairs, which would have to be dry ice. While it was first discovered/observed in 1825, it wasn't commercially available until 1925.

steven_frankel

Continuity mistake: Mozart's pianoforte is carried outside for the concert. But while the concert is going on, Salieri goes to Mozart's home, and the just-carried-out piano is still there.

Jean G

Audio problem: When Constanze asks Salieri to look at Mozart's work, her mouth doesn't move when she says, "I don't mean that he's lazy... he works all day long."

LanguageFan

Continuity mistake: In the opening scene when Salieri's servants offer him ice cream and cakes, the choppy servant gets ice cream on his nose. When seen from behind there is more ice on his nose than when seen from the front.

Jacob La Cour

Factual error: During the ballet scene in the Marriage of Figaro, many of the costumes worn by the dancers have visible zips on them, which of course had not been invented then.

David Mercier

Factual error: 'Amadeus' is essentially an extended flashback. The composer Antonio Salieri, now old and embittered, recounts his life story to a young priest. He recalls how, as a young man, he dedicated his life to music by taking a vow of chastity. He became a successful and respected musician. Then his life was disrupted after the child prodigy, Mozart performed for the crowned heads of Europe, demonstrating incredible ability, and composing music that was much better than his. At times Mozart ridiculed Salieri's compositions as old fashioned and badly written. Jealous of Mozart's brilliance, Salieri worked to discredit Mozart and hasten Mozart's early death at 36. Much of these elements of the plot are highly fanciful. Salieri never lived a life of chastity: aged 25 he married Therese Hefferstorter, by whom he had eight children. The portrayal of Salieri as a mature, adult musician eclipsed by the young upstart Mozart is wholly inaccurate. Salieri was only six years older than Mozart: he was born in 1750; Mozart was born in 1756. Like Mozart, Salieri was a child prodigy, performing before the Emperor Joseph II when aged 16. Salieri and Mozart were attached to the Habsburg court in Vienna, here, far from being bitter rivals, they often collaborated. "Amadeus' is accurate in showing how Salieri outlived Mozart: while Mozart died in 1791, Salieri lived until 1825. But he did not harbour animosity to Mozart, instead he was something of a surrogate father to Mozart's youngest son, Franz Xavier Mozart, ensuring that Franz received a good musical (and general) education. Far from being alone and forgotten in his last years, Salieri became a highly regarded music teacher, whose pupils included Franz Liszt, Franz Schubert and Ludwig Van Beethoven.

Rob Halliday

Factual error: In the scene where Constanza starts to undress in Salieri's rooms, it is revealed she is wearing a 1980s style strapless bustier with separate bust cups and lots of frothy lace. This is not historically accurate. Women wore corsets which shaped their torso into a conical shape, pushed the bust together and up, and they generally had shoulder straps. The corsets were also mostly unembellished, so as to keep a neat silhouette under tightly fitted dresses. (01:07:00)

Continuity mistake: When Mozart checks on his sleeping son, the candles in the candle holder that he is carrying are much longer once he enters the room than before, when he is standing outside his son's room.

Steve Beckle

Factual error: The scene where Mozart is dictating the "Confutatis" to Salieri: though the real Salieri was, in truth, a very accomplished composer and musical expert, there is no way he could write down Mozart's melodies as quickly as he does in this scene. The ostinato string part is especially improbable - he writes down a combined 968 notes for four parts in less than 10 seconds. Obviously done for time purposes, but unrealistic all the same.

Texijapi

Continuity mistake: When Constanza goes to Salieri's house to show Mozart work, she is on his knees, the first sheet is in blank, then appear on the next scene fully written ("Director's cut", Blu Ray) (01:03:00 - 01:03:45)

aquino

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