Sleeping with the Enemy

Plot hole: Laura moves to Iowa and rents a nice, large house, conveniently furnished with everything she could possibly need, by using a fake name, having no job, no established financial history, has no current bank account or credit cards, or any references. She merely hands cash to the agent to seal the deal. She later lands a job without proof of identity, citizenship (legally required), and has no references, no credible work history, or a different social security number. Laura is resourceful, but certainly lacked the illegal avenues to obtain a convincing fake identity and other false documentation. If she had been able to do any of that, then it would have to be incorporated into the plot as credible exposition. Movies audiences are sometimes expected to employ a "suspension of disbelief" for the sake of the plot, but this stretches credulity.

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Suggested correction: You don't have to be a citizen to work.

You do need an ID, but you don't need to be a citizen.

Continuity mistake: At the end of the film when Julia discovers the cans are all in order, she runs for the front door and see the stereo set up there. Then the husband comes from behind. In the following scenes where she goes to the door to talk to Ben, the stereo is gone.

More mistakes in Sleeping with the Enemy

Laura: That was the night that I died, and someone else was saved. Someone who was afraid of water, but learned to swim. Someone who knew there would be one moment, where he wouldn't be watching. Someone who knew that the darkness of the broken lights would show the way.

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Trivia: The beach house is supposedly in Cape Cod, but was actually filmed in Wrightsville Beach, NC on Figure Eight island.

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Question: Does anyone know where the scene in the theater was filmed, where Julia Roberts is on the stage with the swing and the snow, and then backstage playing in the costumes?

Answer: Filmed at the Abbeville Opera House in Abbeville SC. From imdb Trivia: Star 'Julia Roberts' caused a controversy after she left Abbeville, South Carolina, where the film shot some location work. She said the place was "a living hell" and a "horribly racist" town and she would never return there again.

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