Best movie mistakes of 2017

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Continuity mistake: When Toni Servillo meets VerĂ³nica Echegui in the sauna, she says something in Spanish to him, and then shrugs in a close-up. The jacket and towel cover her shoulders and neck area entirely, but in the wider shot that follows, the towel is gone and the jacket is looser. (00:11:10)

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The Leisure Seeker picture

Continuity mistake: Throughout the scene at Stukey's, when Helen Mirren is chatting the Syrians' ears off her elbow sticks out of the window at variable length between shots. (00:05:45)

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The Only Living Boy in New York picture

Continuity mistake: With awkward timing that brings the table conversation to a screeching halt, Thomas says that "New York lost its soul." The woman next to him was having a glass of wine, but it is down on the table in the next shot. George also has his glass raised (we see it in foreground when Thomas explains himself) but it's on the table in the wider angle. (00:11:20)

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The Time of Their Lives picture

Continuity mistake: Priscila carries Helen's bag while she gets her seat. She gives her the bag using her left, while she keeps her own in her right hand. Cut, and Pauline Collins is turning around passing her bag from the left hand to the right. (00:07:40)

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The Wicked Gift picture

Revealing mistake: The bartender (Kateryna Korchynska) offers Ethan two lattes on the house. She hands them to him, and he walks out. No opacity from the liquid can be seen inside the plastic cups, and when he is moving away from the counter he leans forward quite a bit, showing the inside of the cups, squeaky clean. (00:08:00)

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Undercover Grandpa picture

Continuity mistake: Jake and Wendall are talking on the track field as they pull some weights. The strap attached to Wendall's glasses keeps moving in front and behind his shoulder between shots. (00:03:30)

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While You Were Dating picture

Continuity mistake: When William Baldwin spills macaroni on his MacBook, in the close-up of the notebook keyboard you can see part of the screen in the background. The chat app he supposedly is using is empty of any text, no trace of the conversation he is having in the rest of the scene. (00:05:00)

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A Moving Romance picture

Continuity mistake: Olivia is introducing her intended design, but left out of the heirloom throw pillows her client is fussing about. During the scene, in close-up (when the client asks to talk to her boss) her hair is all the way back behind her shoulders, but she has loose hair all over her blazer's collar in the remaining shots. (00:01:40)

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C'est la vie! picture

Continuity mistake: The protagonist is driving his diminutive car to the villa. In the view from the villa (Avishai Cohen's name pops up) you can see a large shadow covering the area of the gate. In the reverse shot that part of the road is fully lit. (00:06:00)

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Bring It On: Worldwide #Cheersmack picture

Continuity mistake: The team has to come up with a plan to handle The Truth. Destiny's friend Willow stands up and says "So look, here's my plan." Destiny announces she has a better one; during this exchange, the phone in Cristine Prosperi's hand switches hands. (00:11:30)

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The Beyond picture

Other mistake: The Space Agency is trying to use an android mechanism (Human 2.0) to go to The Void and make first contact. Their first attempt at putting a human brain into the android fails. The solution is to make the android mechanism imprint human cells to facilitate the brain/android connection. The Agency is up against a time constraint, and someone comes up with the idea of using military Humans 2.0 to go on the voyage. Wait a minute! So now we learn there are other Humans 2.0 in existence? Wouldn't whoever made those already know how to solve the human brain/android interface? Why is the Space Agency reinventing the wheel? (00:40:55)

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Madame picture

Continuity mistake: At the beginning of the movie, Bob Fredericks pulls his bicycle over. His wife takes off leaving him behind. A young man walks by him twice in the two separate shots and at different distance. (00:01:00)

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Lovers: Piccolo Film Sull'amore picture

Continuity mistake: In the first episode, the cold Federico is shaken by the first approach with the bookstore owner Giulia. When he comes back inside the store, the woman is leaning against the corner of table when the camera is in front of her, she isn't in the shots from the back of the store. (00:04:30)

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Eat, Drink & Be Buried: A Gourmet Detective Mystery picture

Continuity mistake: Maggie gets downstairs while Henry and her daughter are playing with their phones. The hair goes in front and behind her right shoulder depending on the camera angle. (00:03:00)

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Falchi: Falcons Special Squad picture Falchi: Falcons Special Squad mistake picture

Continuity mistake: Michele Riondino has just killed the snitch and is going after the witness, a Chinese woman. He holds her at gunpoint; she does not move, but in a shot she has hair in front of just her left shoulder, both shoulders in the next. (00:30:30)

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Couch Potatoes picture

Continuity mistake: Giorgio Selva meets a new barista, apparently fresh from university after a dissertation on Hannah Arendt. During this first scene with her, her ponytail moves back and in front of her shoulder. (00:03:50)

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Roman J. Israel, Esq. picture

Continuity mistake: Lynn Jackson collects things from the desk and looks at George Pierce, who tells her "I'll talk to him", clutching his smartphone to his chest. Next shot and his arm is down his side. (00:18:10)

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All I Want for Christmas Is You picture

Continuity mistake: When Mariah is talking to the girls on the bridge at the beginning of the movie, the girl in green is holding her leash (her dog's that is) with her right hand in the shots from behind, the left hand in others including the wider ones from the protagonist's height. (00:02:25)

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Lean on Pete picture

Continuity mistake: The amount of "sweat" on Charley's T-shirt varies before/after his entrance into his house. While jogging, there is no visible sweat on his T-shirt, but there is sweat around the collar of his T-shirt when approaching the front door to his house. Once inside, Charley makes a "360" (turns completely around) at the door and his T-shirt is now wetter - around the neck and part-way down to his chest (V-shaped); his back also has a vertical oval-shaped area of wetness. As Charley approaches the refrigerator, the wetness on his back quickly disappears (the dark gray area becomes light gray like his T-shirt) and it looks obvious that it was being blow-dried (air was circulating underneath his T-shirt). Next, Charley walks to the sink, and there's a vertical line of "sweat" on his back and the wetness under his arms "grows" and becomes obvious. Real sweat makes a shirt cling to one's body, but this was not true for Charley's T-shirt. (00:03:12 - 00:04:04)

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It's All About Karma picture

Continuity mistake: Mario Pitagora is sipping ice tea in the garden, and then starts explaining to his "son" the nature of his business. His hand changes position on the glass repeatedly between shots, on the rim or lower. (00:27:10)

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