The Legend of Zelda

Sing for the Unicorn - S1-E5

Plot hole: Link goes after Ganon to save the King and winds up hanging on the tail of his Unicorn Pegasus in the air. Zelda was in her room in a high tower when Link used the diving board to get out to an even higher tower. Ganon blasts Link off his horse, and Link begins falling to certain doom towards the castle grounds. But miraculously, Zelda is there with a hay cart and saves him. She was all the way up in her tower and Link wasn't even out of the room for 2 full minutes. Yet somehow she was able to make it all the way down to the castle grounds, grab a hay cart, and be in just the right spot to catch Link. (00:04:50)

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Continuity mistake: Right in the beginning of the title sequence, Zelda and Link walk into a room and see the Triforce of Wisdom. Zelda even says it is the Triforce of Wisdom. It is green. But throughout the entire show in the episodes, the Triforce of Wisdom is shown as blue. (00:00:05)

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Trivia: In almost every other incarnation of the Legend of Zelda, Link is left handed using his sword in that one, (except the Wii version of Twilight Princes where everything is reversed). But in this TV show, he is right handed.

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The Ringer - S1-E1

Question: Once Zelda and Link confront Ganon on the road, he summons more skeletons up and they surround Link and Zelda. 7 Skeletons against Link and Zelda. So what's Link's plan of action? He takes off his belt and wraps it around himself and Zelda, strapping them together back to back to fight the 7 skeletons. This to me seems like it would just hinder their mobility. So my question is what is the really point of Link strapping himself to Zelda like that while surrounded? does it actually make sense to do that?

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Chosen answer: It'll be to ensure that they're always facing directly away from each other, 12 o'clock and 6 o'clock, meaning between the two of them they've pretty much got 360 degree coverage. Otherwise there's a chance they might end up at say 12 o'clock and 3 o'clock, leaving themselves exposed from another direction.

Jon Sandys

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