The Andy Griffith Show

The Andy Griffith Show (1960)

5 revealing mistakes in season 5 - chronological order

(62 votes)

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Opie Loves Helen - S5-E1

Revealing mistake: At the end, in the shots of the kids dancing in class, the width of the wall between the shelf/coat hooks and the perpendicular wall with the door has bizarrely increased by 1-2 feet, but that extra width is gone in previous and following shots. Presumably they needed extra space for all the kids to dance so they moved that left wall.

Super Grover

Three Wishes for Opie - S5-E14

Revealing mistake: Barney, convinced he can foretell the future, is in the darkened jailhouse, seated between Goober and Floyd at a table. Goober strikes a match and lights a lamp which is directly in front of Barney. The immediate illumination obviously comes from a studio light because the men's shadows on the wall are to the far left of the men, instead of directly behind them.

Barney Fife, Realtor - S5-E16

Revealing mistake: While Barney's explaining to Andy his new interest in realty they both walk to the back room, and just as they pass through the doorway the camera tracks too far to the left, so we can see the edge of the set wall and the rest of the back wall is missing. (The following shot is from the direction of that missing wall).

Super Grover

The Andy Griffith Show mistake picture

Aunt Bee's Invisible Beau - S5-E27

Revealing mistake: When Clara and Aunt Bee are talking in the kitchen, in the closeups facing Aunt Bee we see the counter, the cabinet, and the wall, but what we don't see are the curtains, the window, or the windowsill, which all should be on that wall. The fake window wasn't placed on the set wall for Bee's closeup.

Super Grover

The Andy Griffith Show mistake picture

The Taylors in Hollywood - S6-E8

Revealing mistake: While Andy, Aunt Bee, and Opie are at the Hollywood studio watching a scene being filmed, when Andy mistakenly stands up and interrupts the filming we can see the wall and shelves behind the director, and it should look familiar because it's the wall and shelves from Floyd's shop in Mayberry.

Super Grover

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Opie's Group - S8-E9

Andy: Clara, sometimes a parent can't see what he should do, and sometimes it takes a person from the outside to show him. And I'd like to thank you.
Clara: Groovy.

Super Grover

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Trivia: In Walker's Drugstore, among all the magazines by the wall there's a TV Guide magazine (from Oct 9, 1954) on the shelf, and on its cover is Lucille Ball the co-owner of Desilu Productions - which produced TAGS, and also filmed at Desilu Studios.

Super Grover

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Convicts-at-Large - S3-E11

Question: Beginning with the "Convicts at Large" episode in season 3, full width window boxes appear at the bottom of both front windows on the inside of the Sheriff's Office. Prior to this episode, they did not exist. Window boxes are often used to display decorative plants but I don't see any plants. And if they were supposed to partially block the background, the blinds were long enough to accomplish that. I find it hard to believe that the producers would spend additional money (for material and labor) for something that seems to serve no purpose. So why were they added?

Answer: Those "boxes" are valences that used to be very common, before air conditioning. They allow for windows to be open during rain storms. They permit air circulation, without letting the rain in.

Answer: As noted in the previous answers, in real life, things like this provided wind and/or rain deflection, and also maintained a bit of privacy when blinds were raised somewhat. The interior courthouse set was located in the studio, so the "outside" Main Street didn't exist. I believe these things were added to the courthouse windows for practicality, to avoid some crew movement being visible on the opposite side of those windows. These are not "window boxes" to hold anything, as they're actually bottomless; we can see the Venetian blind's long pull cords under them. They're made of plywood and simple to build, so the "material and labor" was inexpensive. Similar variations made of different materials are in other movies/shows. In 1957's "12 Angry Men," textured chicken wire glass panels are in the jury room windows, and in "Jesse Stone: Night Passage" another type is in Jesse's office windows.

Super Grover

Answer: I suspect these were common, as to block the wind from blowing the blinds and papers on the desk.

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