Monty Python's Flying Circus

Wither Canada? - S1-E2

Continuity mistake: In the Marriage Counselor sketch, Deidre Pewty is wearing such a tiny miniskirt that when she sits we see she is wearing white knickers. When she undresses behind the screen she throws a pair of black knickers out.

Dinsdale - S2-E1

Continuity mistake: At the beginning of the 'Ministry of Silly Walks' sketch, John Cleese is holding his briefcase in his left hand. when the shot changes to outside, showing him leave the newsagents, it switches to his right.

jle

Intermission - S1-E13

Continuity mistake: At the beginning of the vegetarian restaurant sketch, Eric Idle stands right behind the pointy sculpture. It is quite short and in some shots the points of it are visible right at the bottom of the screen, but in other shots people stand and walk through right where it is meant to be. And in the final shot, when Eric is complaining about the punchline, it is definitely gone.

jle

Dinsdale - S2-E1

Continuity mistake: During the Ministry of Silly Walks sketch, in the office, John Cleese pulls out a film-projector from his desk, and you can see the power cord plugged into the back of it. After the spoof black-and-white film footage showing the silly walks, John Cleese throws the projector away. The power cord, which was originally plugged in, has disappeared completely.

UKFilmFan

Salad Days - S3-E7

Continuity mistake: In the 'Sam Peckinpah's Salad Days' sketch in Series 3, Show 7, the scene suddenly changes from a bright sunny day to a pitch black night - this was apparently due to technical delays, but the effect makes it look like an extension of the 'pretentious director' parody.

The Naked Ant - S1-E12

Plot hole: In the Upper Class Twit of the Year Show, there are five contestants. However, after Oliver runs himself over, in the events that follow there are only four props for the remaining twits (four mannequins, rabbits, and guns); since Oliver's death was unforeseen, shouldn't there be five of each? (This mistake, by the way, is rectified in the film version of this sketch).

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The Ant, an Introduction - S1-E6

Kenny Lust: Good evening, ladies and gentlemen, and welcome to the refreshment room here at Bletchley. My name is Kenny Lust and I'm your compère for tonight. You know, once in a while it is my pleasure, and my privilege, to welcome here at the refreshment room, some of the truly great international artists of our time. And tonight we have one such artist. Ladies and gentlemen, someone whom I've always personally admired, perhaps more deeply, more strongly, more abjectly than ever before. A man... Well, more than a man, a god, a great god, whose personality is so totally and utterly wonderful my feeble words of welcome sound wretchedly and pathetically inadequate. Someone whose boots I would gladly lick clean until holes wore through my tongue, a man who is so totally and utterly wonderful, that I would rather be sealed in a pit of my own filth than dare tread on the same stage with him! Ladies and gentlemen... The incomparably superior human being, Harry Fink!
Man: [from offstage.] He can't come!
Kenny Lust: Never mind, he's not all he's cracked up to be.

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Sex and Violence - S1-E1

Trivia: The German joke versions are spoken in an intelligible, pseudo-German gibberish (perhaps fortunate, if the joke would really work). I happen to live in Germany, and even with close scrutinizing I haven't been able to filter a meaning out of this.

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Show generally

Question: Is there any significance behind the song "England's Mountains Green" (or whatever it's called)? It seems to be the only song anyone ever sings, outside of sketch-specific songs (like the Lumberjack Song).

Xofer

Chosen answer: The song you talk of was originally a poem by William Blake called 'Jerusalem'. It speaks of the possibility of Jesus having visited England. The poem has four verses but you only ever hear the Monty Python boys sing the first one which goes, "And did those feet in ancient time/Walk upon England's mountains green/And was the holy Lamb of God/On England's pleasant pastures seen?" If there's any sort of in-joke connected to it's use, I'm not aware of it. It seemed to just be the standard song/hymn they used when a song was needed that wasn't sketch specific. Some of the sketches it appeared in were 'Salvation Fuzz/Church Police', 'Buying a Bed' and 'The Art Gallery Sketch'. Something that may be relevant, though, is that the only one who was present every time it was sung was Eric Idle. Perhaps he just liked it?

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