Buffy The Vampire Slayer

Showtime - S7-E11

Continuity mistake: When Buffy is discussing the Turok-Han with the potential Slayers in her dining room, one of them says that it almost killed Buffy. Rona then spreads both her arms out and says, "What chance do we have?" In the following shot, her left arm is down by her side and her right arm is resting on the dining room table.

THGhost

Showtime - S7-E11

Continuity mistake: Towards the end of the episode, during Buffy's fight with the Turok-Han, at the construction location, her shoes are very obviously some sort of practical flat shoe, but during her speech afterwards, she is wearing fashion boots with heels.

Halloween - S2-E6

Continuity mistake: Willow is turned into a ghost. Throughout the entire episode, she can't touch anything (can't turn the pages of a book, etc.), yet towards the end when she and Giles go to Ethan's shop, and she leaves, you can hear that she opened and closed the door, even though she can walk through walls and can't actually touch the door. The curtain moves when she leaves too. (00:34:05)

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Bargaining (1) - S6-E1

[After saving Giles from a vampire.]
Spike: Awww, poor Watcher. Did your life flash before your eyes? Cup of tea, cup of tea, almost-got-shagged, cup of tea?

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The Yoko Factor (1) - S4-E20

Question: At the last moment before leaving for good, Angel pauses to tell Buffy "I don't like him" [Riley], to which she replies with a large smile "Thank you." Why does she take this comment surprisingly well? From an ex boyfriend to her new boyfriend? It's not like it sounds like a friendly warning of any sort, nor a joke given the tense situation between the two guys in the episode. And the smile on Buffy's face does not make her response look ironic either, more like loving/caring. Is that a cross over reference to another dialogue in the Angel series?

AnthonyA

Chosen answer: Angel is saying that he is still jealous and Buffy recognizes that this is his way of saying he wishes that they could be together. That is why they both smile.

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