Buffy The Vampire Slayer

Fool For Love - S5-E7

Question: In this episode we see some of Spike's history - when he's human there's a bit where he walks down a street tearing up his poetry and bumps past Angel and Darla. We don't see their faces, but it's obviously them. I remember an episode of Angel when we see a flashback of Spike still human - can anyone remember the episode, and am I right in thinking that the bit we see is exactly the same moment in history, but we're focusing on Angel and Darla instead?

Jon Sandys

Chosen answer: This would be the episode "Darla", and, yes, it's exactly the same moment - I'm pretty sure that the same shot is used. In a nice bit of coordination, Darla is Angel episode 2.7, which corresponds exactly to Fool For Love, which is Buffy episode 5.7. - at the time, I think, the two series were shown on the same night, one after the other, making the two episodes, in effect, a double-length history lesson on the vampires of this particular bloodline. In an even nicer bit of coordination, this particular scene occurs at about the same point in each episode (around the 15-minute mark).

Tailkinker

Goodbye Iowa - S4-E14

Continuity mistake: When Buffy is talking to Riley, she puts the scarf on her head, on his hand. He talks to her and says "Maybe I am the bad guy," and in the next frame her scarf is back on her head again, then off again in the next frame. (00:24:20)

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Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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