Allison: Life is brutal.
Bill: Listen Silently.
Allison: Can I drive?
Gardner: I have to make decisions like what's best for the family.
Bryan Woodman: Great. How much for my other kid?
Bryan Woodman: Do you understand what that means, it's like someone put a giant ATM on our front lawn.
Julie Woodman: Here's a question. How do you think it looks to profit off the death of your six year old?
Julie Woodman: Arabs are very family-oriented. As a people. Is that racist?
Bryan Woodman: Sure! A little.
Prince Nasir Al-Subaai: What are they thinking, my brother and these American lawyers?
Bryan Woodman: What are they thinking? They're thinking that it's running out. It's running out... and ninety percent of what's left is in the Middle East. This is a fight to the death.
Tom Ripley: You're the brother I never had. I'm the brother you never had. I would do anything for you, Dickie.
Meredith: Dickie?
Tom Ripley: Hello Meredith.
Meredith: Oh my God! I hardly even recognized you.
Tom Ripley: Well, you spotted me so you get the reward.
Tom Ripley: Nothing is more naked than your handwriting. See how nothing's quite touching the line? That's vanity.
Dickie Greenleaf: Well, we certainly know that that's true.
Peter: Meredith Logue. You were kissing somebody. Looked like Meredith.
Tom Ripley: Hardly kissing. Kissing off, maybe.
Peter: That's not what it looked like.
Dickie Greenleaf: We're all only children. What does that mean?
Tom Ripley: It means we've never shared a bath. I'm cold, can I get in?
Dickie Greenleaf: No.
Tom Ripley: I didn't mean with you in it.
Dickie Greenleaf: Okay, get in. I'm like a prune anyway.
Marge Sherwood: The thing with Dickie... it's like the sun shines on you, and it's glorious. And then he forgets you and it's very, very cold.
Tom Ripley: So I'm learning.
Marge Sherwood: When you have his attention, you feel like you're the only person in the world, that's why everybody loves him so much.
Dickie Greenleaf: Everybody should have one talent, what's yours?
Tom Ripley: Forging signatures, telling lies... impersonating practically anybody.
Dickie Greenleaf: That's three, nobody should have more than one talent.
Dickie Greenleaf: You're so white! Have you ever seen a guy so white, Marge? Grey, actually.
Tom Ripley: It's just an undercoat.
Dickie Greenleaf: Say again?
Tom Ripley: You know a primer.
Dickie Greenleaf: That's funny. Margie likes that 'cause she's so white too.
Marge Sherwood: Yes, I do and you're not funny.
Marge Sherwood: I don't believe a single word you've said.
Tom Ripley: You're shivering, Marge. Look at you, Marge. Can I hold you? Will you let me hold you?
Tom Ripley: And that's the irony, Marge. I loved you. You may was well know it, Marge: I loved you. I don't know... maybe it's grotesque of me to say this now, so just write it on a piece of paper or something and put it in your purse for a rainy day. 'Tom loves me.' 'Tom loves me.'.
Tom Ripley: I always thought it would be better to be a fake somebody than a real nobody.
Tom Ripley: Well, whatever you do, however terrible, however hurtful, it all makes sense, doesn't it? In your head. You never meet anybody that thinks they're a bad person.
LaBoeuf: You give out very little sugar with your pronouncements. While I sat there watchin' I gave some thought to stealin' a kiss... Though you are very young, and sick... And unattractive to boot. But now I have a mind to give you five or six good licks with my belt.
Mattie Ross: One would be just as unpleasant as the other.
