Jacob La Cour

Continuity mistake: When Q is showing the microfilm to Bond and XXX, Bond points at the Stromberg fish. But he points right at the projector. That would have made his finger much larger compared to the screen than it is in the next clip - and blurred. Furthermore, the position of his finger on the screen doesn't match with the position he holds it in.

Jacob La Cour

Continuity mistake: When the rescue pod is speeding towards the surface you can see it has a keel weight which, judging from the size of the pod, must be 3-4 meters long. When it floats into the cargo bay of the navy ship, there wouldn't be room for the keel. You can see that the water level in the cargo bay is no more than 1-1½ meters.

Jacob La Cour

Continuity mistake: When we see Stromberg's living room from the inside, there is very little space between the windows, and the corner column is very narrow. But when we see it from the outside (when the Helicopter is taking off) there is more then 2 meters between the windows.

Jacob La Cour

Continuity mistake: When Stromberg raises his 'house' from the sea, in the first shot where the paintings slide up, you can see the water's surface in the top of the window. But in the next clip, exterior shot, the house is still fully submerged. And based on the size of the house and the location of Stromberg's living room, his windows must have been 10-20 meters below the surface in the first situation.

Jacob La Cour

Continuity mistake: When Bond is chased by agent Barsov, you see a clip where Bond has gone through quite deep, new snow - leaving two tracks in the fresh snow. In the next clip, when Bond turns to fire his ski pole missile, he is riding on a prepared piste with a lot of other tracks.

Jacob La Cour

Continuity mistake: When Bond skis downhill in the beginning, in the close-up of his skis, you can see a hard, firm snow surface. But in the next clip, he is skiing off-piste.

Jacob La Cour

Continuity mistake: When Shandor is about to fall off of the roof and is holding Bond's tie, his grip changes from very low - with about four inches left - to higher up, so he can slide down again.

Jacob La Cour