How the Grinch Stole Christmas

Visible crew/equipment: When the two boys are in front of the Grinch's front door, a big monster comes out of the front door, scaring them. The boys then jump off the side of the rocks, and a cable attached to them is perfectly visible.

Hamster

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Suggested correction: I've watched this scene over and over, and there is no cable visible as they jump.

zenee

Revealing mistake: When the mayor has his head shaved by the Grinch, Clint Howard grabs the clippers and shaves his own head down the middle. His hair is yanked off his head before he even moves his hand. Even better in slow motion.

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The Grinch: The nerve of those Whos. Inviting me down there - and on such short notice. Even if I wanted to go my schedule simply wouldn't allow it. 4:00, wallow in self pity; 4:30, stare into the abyss; 5:00, solve world hunger, tell no-one. 5:30, jazzercize. 6:30, dinner with me. I can't cancel that again. 7:00, wrestle with my self-loathing; I'm booked. Of course, if I bump the loathing to 9 I could still be done in time to lay in bed, stare at the ceiling and slip slowly into madness. But what would I wear?

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Trivia: Jim Carrey's makeup took 2 hours to put on and 1 hour to take off, every day for 92 days of filming.

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Question: In the beginning, there is a watchman that announces "Another minute closer to Christmas!" as each minute ticks off a countdown clock. Assuming that each panel (days, hours minutes) is on a revolving wheel of some sort, how can the three wheels work correctly in such close proximity to each other? Granted, only the minutes part moves for the sake of the story, but it still begs the question.

Movie Nut

Answer: By machine.

The clock in "How the Grinch Stole Christmas" is designed for cinematic effect; a real-world counterpart would rely on precise gearing and engineering to allow three separate wheels to operate in close proximity without interfering with each other. The key would be in the gear ratios and the alignment of the gears to ensure smooth operation of each panel.

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