Running Scared

Visible crew/equipment: During the scene in the pedophile's playroom, there are two cameras that are of interest. Camera A: The film camera mounted on a steadicam; captures what the audience sees. Camera B: A video camera placed on set (as a prop); feeds to a TV screen also on set. Camera A begins on a closeup of the TV screen, and tracks backwards, still facing the TV screen, but revealing more of the set. As this movement is executed, Camera B quickly (presumably unexpectedly) zooms out, revealing the neck (focus and iris rings, etc.) of Camera A for about 2 seconds. This can be seen in both DVD and Film viewing.

Visible crew/equipment: During the scene in the pedophile's playroom, there are two cameras that are of interest. Camera A: The film camera mounted on a steadicam; captures what the audience sees. Camera B: A video camera placed on set (as a prop); feeds to a TV screen also on set. Camera A begins on a closeup of the TV screen, and tracks backwards, still facing the TV screen, but revealing more of the set. As this movement is executed, Camera B quickly (presumably unexpectedly) zooms out, revealing the neck (focus and iris rings, etc.) of Camera A for about 2 seconds. This can be seen in both DVD and Film viewing.

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Trivia: The sequence which reverses the bullet going through the window, through the bread, and into the wall, in exception for the windows shattering, was not CGI. It was Paul Walker's brother who was sitting at the table with the family. This was confirmed in the documentary on the DVD.

BillyBlake

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