Continuity mistake: During Danny's drunken yelling scene he swoops a table ALMOST clear of its papers, meaning there are still a few papers messily left on the table. However, a few shots later, those papers are mysteriously missing. (01:47:20)
Continuity mistake: Just before Danny sits down after questioning Mr. R.C. McGuire, look at his shadows on his jacket. As Jack gets up, notice the sun shadow on his jacket, it's at an angle, but Danny didn't have one.
Continuity mistake: Part of Jack's opening statement has him walking towards the jurors with his left arm bent shot from behind the jurors. The next shot is from behind Jack, looking at the jury and his left arm is by his side.
Continuity mistake: In the scene where Jo is telling Danny that she sent one of the prisoners some comic books (towards the beginning of the movie)he steps inside his car and the back window is halfway down. As he drives away it is completely up and as he pulls into the next scene, it is still up, while his driver side window remains down the whole time. (00:30:00 - 00:32:00)
Continuity mistake: When Jack Ross (Kevin Bacon) calls his first witness to the stand, he steps over to the podium between himself and the defense counsel, but in the wide shot showing the witness walking across the courtroom, he is back at his table. Then in the following close-up he is once again at the podium.
Continuity mistake: During Danny's examination of Lt. Kendrick on the witness stand, he leans up against his courtroom table, shot from the back, in front of the microphone which is straight on, on the table. The next shot, from the front, shows the mic to the left of him and on an angle.
Continuity mistake: After Danny tells Jessep to sit back down on the witness stand and the judge is telling Danny how to address Jessep, he pours himself a glass of water. From the shot where his back is towards us he puts the pitcher down. We then see a shot in front of him and he is putting the pitcher down again. (01:56:00 - 01:58:00)
Continuity mistake: When Daniel and Sam first meet Dawson and Downey, Sam asks Dawson about the shooting across the defense line into Cuba. As he asks the question, the camera view is from the side and he crosses his arms. The next shot in front of him and his arms are by his side.
Continuity mistake: When Danny asks for his bat and Jo (Demi Moore)says she put it in the closet, her elbows are on the table with her hands clasped. She then breaks them and puts the right one on the table. The next shot shows her and Danny and her elbows are on the table again with her hand clasped.
Continuity mistake: At the end of the arraignment there is a full view of the courtroom and Jo is standing on an angle looking at Danny. The next shot is from the front of them and she's standing straight square at the table.
Continuity mistake: When Jack Ross finishes his opening statement by saying, "And when we get to the end.", you hear a brief pause, but if you look at his jaw it is still moving and the words are now out of sync with his mouth.
Continuity mistake: When Joanne comes to ask Danny why he has not yet seen his clients, he is just about to swing the bat, and begins to as the shot switches to her face. However, in the very next shot he's standing with the bat, waiting to swing again. The time between the two shots would not have provided adequate time for him to swing and then be waiting for another throw.
Continuity mistake: When Danny walks into the courtroom, just before the beginning of the case, if you look at Dawson's parents his father is standing up and mother sitting down. The shot changes to a view of the parents talking to Danny and both are standing up.
Continuity mistake: When Markinson gets in Lt. Caffey's car you can see his baseball glove on the back window ledge. Then in subsequent shots the glove sometimes missing.
Col. Nathan R. Jessep: Son, we live in a world that has walls and those walls have to be guarded by men with guns. Who's gonna do it? You? You, Lieutenant Weinberg? I have a greater responsibility than you can possibly fathom. You weep for Santiago and you curse the Marines; you have that luxury. You have the luxury of not knowing what I know: that Santiago's death, while tragic, probably saved lives and my existence, while grotesque and incomprehensible to you, saves lives.
You don't want the truth because deep down in places you don't talk about at parties you want me on that wall, you need me on that wall. We use words like honor, code, loyalty. We use these words as the backbone of a life spent defending something. You use them as a punchline. I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom that I provide and then questions the manner in which I provide it. I would rather you just said "thank you, " and went on your way. Otherwise, I suggest you pick up a weapon and stand a post. Either way, I don't give a damn what you think you are entitled to.
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