Lemony Snicket's A Series of Unfortunate Events

Revealing mistake: In the scene where the children are first driven to Count Olaf's house, they turn round to see the house in the distance and while the house is fairly realistic the surrounding scenery and background are obviously matte paintings. (00:08:15)

Lemony Snicket's A Series of Unfortunate Events mistake picture

Revealing mistake: When Violet and Klaus make the tent inside their bedroom in Count Olaf's house, they set up the light with the faces of their parents on it in front of it. Except when it shows the shadow of the object outside the tent, the edge of the picture frame isn't showing when it should. (00:21:40)

Continuity mistake: In the scene where the Baudelaires and Aunt Josephine are looking in the photo album, Violet turns a page. You can see the photo Aunt Josephine does not want the orphans to see, but when Violet turns to the next page, the same photo is there. (00:49:10)

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Count Olaf: I must say, you're a gloomy looking bunch. Why are you so glum?
Klaus Baudelaire: Our parents just died.
Count Olaf: [nonchalantly.] Ah, yes. How very dreadful. Wait, let me do that one more time. Give me the line again while it's fresh in my mind.
Klaus Baudelaire: Our parents just died?
[Olaf pretends to be shocked.].

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Trivia: If you look at the poster advertising the play "The Marvelous Marriage," you'll see it was written by Al Funcoot. "Al Funcoot" is an anagram of Count Olaf. This is a common theme in the Lemony Snicket Books.

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Question: As we know, the magnifying glass in Olaf's tower started the Baudelaire fire. This is the same tool that Klaus uses to burn up the marriage certificate. If the magnifying glass was powerful enough to cause the Baudelaire mansion to burst into flames, which was 37 blocks away, why didn't the stage burst into flames as well?

Answer: A magnifying glass concentrates all the light that goes through it at its focal point, and it is this focal point that needs to be placed on the object which one wants to set on fire. The distance of the focal point to the lens depends on the magnifying glass characteristics, and it is more than likely that Count Olaf chose a glass where the focal point would be situated exactly "37 blocks" away from his house, that is, at the Baudelaire's mansion. When trying to set on fire an object much, much closer, the glass would concentrate much, much less energy, and would only be able to set on fire easily burnt objects, such as thin paper.

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