Catwoman

Continuity mistake: At the noisy neighbours' party, after Patience whiplashes a guy, the hose swaps from bent backwards to forward, between shots.

Sacha

Continuity mistake: When the boy is about to fall off the ferris wheel, the people around his mother, plus the balloons they hold, increases/ decreases/ disappears between shots.

Sacha

Continuity mistake: When the ferris wheel breaks and Tom is about to descend, the people around the manager increases/decreases/disappears between shots.

Sacha

Continuity mistake: When Patience stares at the TV news in the hospital talking about Catwoman, she stares straight, but a frame later she is looking to the left.

Sacha

Continuity mistake: When Patience is leaning against the jail cell wall, the amount of light keeps changing back and forth depending on the angle.

Sacha

Continuity mistake: When Patience tries to save Midnight, the position of the passers-by below has no continuity between shots.

Sacha

Continuity mistake: When Tom walks towards Patience's cubicle, a chubby lady in white is meters ahead in front. A frame later she is meters behind him.

Sacha

Continuity mistake: When Tom stops his car after seeing Patience on the ledge, the cars around change distance to Tom's, or even disappear between shots.

Sacha

Continuity mistake: When Tom sees Patience hanging on the ledge, the distance between him and his car keeps increasing/decreasing between shots.

Sacha

Continuity mistake: When the movie starts, Patience's workmate has her left arm next to her hip, a frame later it's grabbing a cream jar.

Sacha

Continuity mistake: The morning after Patience becomes a cat, the bundle of clothes and the wrinkle on the carpet next to the window move around between shots.

Sacha

Continuity mistake: Tom walks to Patience's cubicle and her workmate cries "Oh my God" while she lowers her hands. A frame later they're raised again.

Sacha

Revealing mistake: In the jewellery store when the robbers are smashing the display cases they shatter before being hit with the shotgun butts.

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Drina: I think this is so boring.
George Hedare: Don't.
Drina: What?
George Hedare: Think. Consider this a condition of our relationship.

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Answer: It was, yes. The filmmakers deliberately didn't bother with anything resembling film continuity, intending to make this a completely new character.

Tailkinker

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