Minority Report

Continuity mistake: In the beginning of the movie, Anderton is working on the case with the jealous husband (case number 1108). During this scene, we see a shot of Anderton taken from behind the transparent screen. In the upper right corner of the screen you can see the case number (1108). Later in the movie, Anderton starts working on the case where he himself turns out to be the killer. This is case number 1109. In this scene we again see a shot of Anderton taken from behind the transparent screen. However, the case number is still 1108. Shouldn't it be 1109, since he is working on that case? (00:36:30 - 00:37:50)

Minority Report mistake picture

Continuity mistake: In the scene where Danny Witwer and Burgess are going over something that wasn't seen before, Danny's tie is loosely undone, but in the next shot it's perfectly done up. (01:54:50)

Continuity mistake: When Anderton is mad about the doctor sticking him with the anesthesia and is holding him on the counter holding the doctor's arm behind him, the needle changes places quickly and ends up in different places. (01:03:20)

Minority Report mistake picture

Continuity mistake: In the Jetpack scene, where John and the other two cops bump the ceiling, if you look at their food and drinks on the table, everything gets knocked over and spilt, yet in the following shot everything is neat, and the drinks have reappeared unspilt. (00:49:00)

The-Immortal

Plot hole: Burgess frames Anderton for Witwer's murder, using Anderton's gun in Anderton's house, but Anderton has an airtight alibi; at the same time as the murder, he was arriving at his ex-wife's home. His ex is even on the phone with Burgess, who asks if that's John arriving with Agatha.

Cubs Fan

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Suggested correction: This is all a matter of trust and knowledge. At this point the precogs aren't available so they don't know who killed Witwer, the word of Burgess is enough for the precrime team to believe it was Anderton, especially considering everything that was going on. All the precrime team wants is get Anderton and put the halo on him. There is no trial, no interrogation of witnesses. The team simply don't see Anderton can't have killed Witwer and they don't care as they no longer act as real cops anymore (only Witwer did). They might find out later, but Anderton's escape changed that possibility anyway. It's not a plot hole that things went as they went.

lionhead

Visible crew/equipment: In the scene where Anderton is going to kill Crow, the camera angle changes to behind Crow. In the window behind him you can see the demolitions charge used to create a bullet hole and crack the glass. (01:44:05)

Plot hole: Anderton getting to Crow pivoted on seeing the Precog visions of Anderton killing Crow. But it's a causal loop. How did it happen the first time without the vision? To top it off, Anderton had Agatha in the room. Later Burgess points our to Witwer that there are no signs of Precrime descending on him because the Precogs can't see him about to kill Witwer because of their separated condition. However, that's the exact same condition the Precogs were in when Anderton was supposed to shoot Crow...so how would it be seen in pre-vision?

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Suggested correction: The pre-vision of Anderton killing Crow happened before the Precogs were seperated, for Witwer's murder the pre-vision came too late. It's paradoxal but the fact there was a pre-vision of the Anderton-Crow murder, it was going to happen. But at the last second Anderton made a choice not to, something which the pre-cogs can't see as Agatha explained to him, the pre-visions are only 1 possible outcome of the future. Thats the flaw in the system.

lionhead

Factual error: In the scene when Anderton escapes out of the Maglev Car, there's barely any wind blowing his hair or jacket, even though the car is moving at intense speeds and he can barely keep his balance. He jumps from car to car on a vertical track, jacket is not moving. Then he jumps on to the roof of another car and you him from the inside of the car, there's no wind movement on him at all. (00:43:55 - 00:44:55)

Continuity mistake: When the pre crime cops are looking for John in the mall, there are 7 of them on the upper balcony, the leader tells two of them to "take the east end," and you see two of them run off to the left, yet in the following shot all seven of them are running to the right. (01:33:15)

The-Immortal

Plot hole: Lamar makes his crime look like a glitch. But the pre-cogs must show these two as two separate murders. And they should give two sets of wooden balls.

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Suggested correction: A ball is created when the precogs identifies the killer and victim. However they get their visions randomly and seperately, Agatha being the most powerful one but they have to work together to identify a victim and killer. They put visions together and eventually balls with names will appear. The pre-crime team, led by Anderton, then pieces the visions together to find the location and then go after it, that's all they do, technicians are the ones that bring the visions together for processing by the pre-crime team. The visions they got were seen as "echos" and disregarded before the precogs were able to identify the killer. If they had it would put Burgess as the perpetrator. But since it looked exactly the same as the previous one they didn't allow the precogs go futher into the visions and not put them together. Agatha did have the vision of Burgess but Burgess removed those vision from the system.

lionhead

But the previous "one" was not a murder so it should not justify a vision (it was only a staging). The real murder is committed by Burgess and it was premeditated, so a brown ball with Burgess' name should have popped out.

The first murder is not a "staging." Quoted from the film: "all you'd have to do is hire someone to kill Ann Lively, someone like a drifter...someone with nothing to lose." Burgess hired someone to kill her so they do have the intention to commit murder, hence the vision. He knew it would be stopped the first time and then the second time would be seen as an "echo" of the vision of the murder that was stopped and erased before a ball is produced.

Staged may have indeed not been the right word. A blame murder or false flag murder may be a better term. Planned in order to point the finger at the wrong person for the murder in any case.

lionhead

Even staged murders are put in visions, same with the one Burgess tried to set up Anderton with. If someone is killed, the precogs get visions, but they don't know the context (the biggest flaw with the system of course). The visions come before the balls and if the engineers think it is a echo they will discard those visions and prevent the precogs from identifying the victim and killer. If they had the time, indeed a brown ball would be formed. Remember that premeditated murders come much earlier to the precogs in vision than emotional ones, so that was the reason why those visions showed up so soon after the staged one, adding to the idea it was an echo, perfectly calculated by Burgess.

lionhead

Continuity mistake: At the end of the film when John's wife is talking to Lamarr he says "I haven't worn this in years" and turns around, in the following shot he turns around again. (01:57:15)

The-Immortal

Character mistake: Near the end of the movie, John's wife calls one of his colleagues and says, "Jad, it's Laura, John needs a favour." Her character's name is Lara. (02:08:30)

Other mistake: When Anderton and the pre-cops are gearing up to prevent the Howard Marks murder, there is a shot of Anderton loading his gun. If you watch closely you can see he places a clip under the gun but doesn't actually put it in, he just sort of mimes inserting it. (00:08:55)

Minority Report mistake picture

Continuity mistake: When John visits the creator of precrime in the greenhouse, in one scene the old lady kisses John, her hand changes from being at the side of John's face to holding it at the front. (00:59:40)

The-Immortal

Minority Report mistake picture

Continuity mistake: During the scene where the police first go to arrest Howard and John is deciding which door is the right one his plastic face plate is down and in the next shot it is clearly up. (00:10:55)

Continuity mistake: After John has had his eyes changed and the cops send the spiders into the rooms, there is a shot of John kneeling down. Behind him, the fridge is open, yet a few shots later he crawls past the kitchen and the fridge is then closed. (01:15:00 - 01:16:20)

The-Immortal

Continuity mistake: When John is in the Precog chamber, and Agatha grabs him, he is on the small platform, but when Wally comes in, he is no longer on the small platform. (00:27:15 - 00:28:05)

The-Immortal

Continuity mistake: At the beginning of the film when Howard Marks goes out for the paper, he walks down his steps outside and reaches the bottom, twice. (00:04:10)

The-Immortal

Minority Report mistake picture

Continuity mistake: When John and the other precrime agents go to arrest Howard Marks, they stand in a group trying to figure out which house is the right one. A couple of shots later there's a wide shot of John from behind with nobody else there, and a couple of shots later still, the agents are all in a group again. (00:11:00)

Madstunts

Factual error: When they are given the Federal Agent a tour of Pre Crime in the beginning, they say that the victim ball appears on the left and the perpetrator on the right. Yet later in the movie, when Leo Crowe's murder is revealed, Anderton picks up his own ball (the perpetrator's ball) from the slot on the left. If he had wanted to pick up the correct ball, he would have grabbed the one on the right.

Officer Fletcher: John, don't run.
John Anderton: You don't have to chase me.
Officer Fletcher: You don't have to run.
John Anderton: Everybody runs, Fletch.

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Trivia: On the "subway" train, the man holding the USA Today paper is Cameron Crowe, and the woman in the seat behind him on his left is Cameron Diaz. Because "Vanilla Sky" and "Minority Report" were so close in shooting, the two directors (Crowe and Spielberg) agreed to put themselves as cameos in each other's films. (00:46:10)

More trivia for Minority Report

Question: Why all the build up of John having sent the Russian eye-surgeon guy to jail, suggesting that he will hurt John; only to have him successfully complete the operation, and take care of John afterwards?

Nick N.

Answer: Because subverting the expectations of the viewer makes it more interesting. The audience (and potentially John) are set-up to expect bad things, which don't happen. Once the "bad thing" happened, the suspense would be gone and everyone could relax. Expecting something bad but knowing when it might happen maintains the tension.

Chosen answer: It's what's known as a McGuffin; a plot element that seems to be important when introduced, but serves no purpose other than to intrigue/distract the audience. The term was popularised by Alfred Hitchcock.

J I Cohen

That's not *quite* what a MacGuffin is. A MacGuffin not only seems important, it *is* important; in fact, one of its two diagnostic characteristics is that a MacGuffin is something around which the entire plot revolves. The other property fundamental to what makes something a MacGuffin is the fact that the origin, purpose, function, and, in some cases, even identity of the object is left either vague or completely undefined. The briefcase in Pulp Fiction is a classic example (although there *is* a compelling argument that the object in the briefcase is in fact a specific artifact).

Well, according to the doctor when the operation is beginning, the doctor reveals that in prison, he spent all of his time in the library, including books on medicine and technology. As a result, he found his "true calling", and is thankful to John for helping him see that.

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