Bowfinger (1999)

Factual error: The whole Bowfinger scenario is impossible. They are using a 35mm Panavision cine camera which cannot be focused through the lens; it needs precise measurements on the set in order to be properly in register. Then there are the light readings required to ensure proper exposure. Wouldn't Kit Ramsay notice the man with the light meter, or the one with the tape recorder? Both measurements would have to be done with him or an identically dressed and made up stand-in (a "lighting double") on the spot. Then there is the sound. Any sound recordist worth his salary will have the microphone within centimetres of his subject, and he'll have a boom operator keeping in there. We don't even see a microphone in use! Please don't tell me this is based on the clandestine filming of Mary Pickford during her Russian visit: that was done with old black and white film which has very wide tolerance to exposure and most of all it was silent, and she was aware of the camera crew, she just thought they were news crews. (And the results were rubbish anyway).

Kit: White boys always get the Oscar. It's a known fact. Did I ever get a nomination? No! You know why? Cause I hadn't played any of them slave roles, and get my ass whipped. That's how you get the nomination. A black dude who plays a slave that gets his ass whipped gets the nomination, a white guy who plays an idiot gets the Oscar. That's what I need, I need to play a retarded slave, then I'll get the Oscar.

Trivia: During Daisy's topless scene, Jiff Ramsey says to Daisy, "You're doing great! You're gonna be a star." Eddie Murphy ad-libbed this line.