The Towering Inferno

Character mistake: Just before the fire starts on the 81st floor, a man is shown telling an elderly couple that business offices only go as high as 80, and that 81-120 is exclusively residential. Not long after O'Hallorhan arrives, he asks Jernigan for a list of business tenants from 81-85, which Jernigan replies "most are yet to move in and those that have are not working at night". As said by the man earlier, these floors do not house business tenants, only residential. (00:12:05 - 00:43:45)

mightymick

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Suggested correction: Chief O'Halloran asked Doug for the floor plans from 81-85. He then asked Jernigan for a list of business tenants. Chief O'Halloran did not ask for businesses on any specific floor.

Mike Motter

Character mistake: When Steve McQueen arrives at the fire scene, he drives his car across a fire hose. It is basic firefighter training that you NEVER drive a vehicle across a fire hose.

mdwalker

Continuity mistake: When O.J. Simpson (Security Guard) attempts to rescue the mother and 2 children from their apartment, he kicks the door in. If you look closely, the door is actually open and he's holding it shut so he "can" kick it in! (01:06:45)

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Dan Bigelow: What happened, somebody hang the wallpaper upside down?

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Answer: Mainly it was about egos (mostly McQueen's) and a professional rivalry, not only as top movie stars, but also as auto racers. McQueen considered himself a superior driver to Newman, even though they never competed against each other. When McQueen was considered to co-star with Newman in "Butch Cassidy and the Sundance Kid," McQueen wanted top billing, then dropped out when he wouldn't receive it, even though Newman was considered the bigger star. In "The Towering Inferno," McQueen supposedly obsessed over how many lines he had compared to Newman.

raywest

Expanding on this: McQueen's demand for top billing continued on this film (as did William Holden's, but he was never a serious candidate), which is why the end result was "staggered": McQueen's name was to the left but lower, while Newman's was higher but to the right, so both had top billing depending how one read it (left-to-right, or top-to-bottom). Studies have shown that the name audiences tend to see first is the one on the left, regardless of staggering, so McQueen may have "won" here.

Newman does get a small victory of sorts at the end of this film when the cast credits begin scrolling upward on the screen. Newman's and McQueen's names are again staggered like in the beginning intro, but Newman's name appears first as it scrolls up from the screen's bottom.

raywest

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