Plot hole: When the cop comes back after making the phone call, he's just missed Norman. He heads over to the office and calls out for Bates. He's in there around 45 seconds. Then he leaves and heads towards the big house. How can Norman be at the house ready to kill him in his mothers clothes, when he had no idea the cop was back and he would not have had time to get there from where he was, right at the far end of the cabins?
Deliberate mistake: When Norman picks up Marion's supposedly naked body to carry it to his trunk, a bra is visible through the shower curtain. Gus Van Sant included this goof in his 1998 remake.
Question: I'm doing horror movies in my Media Studies course and we're looking at this film in great depth. There were many themes that came up a lot in the film, mainly mirrors, birds and eyes. I've had loads of interpretations of all of these, but does anyone know what they symbolise?
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