Visible crew/equipment: In the closeup of Evie when she is holding a spoon under her eyes, you can see the boom mic reflected in each spoon. (01:04:15)
Visible crew/equipment: When Susan tries on a hat while the couple are shopping in the island town, you can see the cameraman in her mirrored shades. (00:06:00)
Visible crew/equipment: In the scene near the beginning of the film, when the 2 brothers are fixing to leave to join the army. After the mother gives them the flag, the shot changes to the 2 brothers. You can see the boom mic and the camera in the reflection of their shiny brass buckles.
Visible crew/equipment: When Sean Penn is outside the motel with the gun, he fires three shots past Benicio Del Toro's head into the ground behind. When Benicio falls to the ground you can see an ear plug in his left ear. (01:49:05)
Visible crew/equipment: Near the end, in a shot of Monica and the baddie (just before they get onto the boat) standing beside a large vehicle, the camera is quite close and then it tracks backwards. The reflection of the legs of the steadicam operator walking backwards as he moves the camera, is seen at the side of the car. (01:27:50)
Visible crew/equipment: When the Zombies are chasing Greg in the woods, one of them leaps through the air. You can see the springboard he does it from. (00:45:25)
Visible crew/equipment: When Algren is dressed by Katsumoto's sister in her dead husband's armour, she backs away and kneels down. Next to her knee is a blue dot, which would be her "mark" for where she was supposed to kneel. (01:44:05)
Visible crew/equipment: During the scene when Inman is ploughing his lone furrow he is not quite alone. In the final shot, when he is in the foreground and Ada is playing the piano on the horse-drawn wagon in the background, a pair of hands and arms can be seen at the left hand edge of the screen guiding the horse which is pulling the plough.
Visible crew/equipment: When Frances and Marcello are standing on the beach, right before they kiss, Frances has her sunglasses on her head, and looks down at the ground and laughs. When she looks down, watch in the reflection of her sunglasses, and you can see the camera crew along with all the lights behind the camera.
Visible crew/equipment: When Sean Penn is picking out headstones, you can see the tracks and the wheels of the dolly for the camera being reflected in the headstone. (01:30:55)
Visible crew/equipment: At the bullfight a crew member is reflected in Sands' sunglasses in several shots. (00:32:20)
Visible crew/equipment: When Red has the accident and the horse is trying to get on its feet there is a clear view of the stuntman's face. (01:29:55)
Visible crew/equipment: In the scene with Hardy and the Colonel, in the Colonel's office where they share a drink and the Colonel gets shot, you can see a stage light outside the window as Hardy gets off the phone during the first shot. You can see the light and the gel-frame, looks to be a 5k HMI type light. (DVD)
Visible crew/equipment: When Bob is taking a bath and receives a phone call from his wife, a microphone is visible in the upper left, coming from behind a wall for a few seconds.
Visible crew/equipment: At the airport when Sona says to Ling "We may have a problem," we can see the movie crew reflected at least twice in her sunglasses before they enter the car. (00:18:05)
Visible crew/equipment: During the scene where there is boxing music being played, as the players are entering the bowling green, a cameraman can be seen following the pair.
Visible crew/equipment: When they unearth the cadaver, you can see in some shots that he wears a blue string. One of the men even sees it and tries to hide it subtly.
Visible crew/equipment: When R enters the control room where Cyper is waiting and the camera moves towards Cyon, you can see the reflection of the camera in the curved glass. (01:35:20)
Visible crew/equipment: When Radio is at the Christmas party and is looking at his reflection on the ornament, you can see the lens of the camera in the reflection.
Visible crew/equipment: At the end of the movie, when Hamo and Nina head off on the piano, watch the shadows on the ground to the right. You can see that a person is pulling the piano to make it appear that it is travelling on its own.