Best drama movie mistakes of 1968
Continuity mistake: When the team are about to jump from the cable car into the river, the view from ground level shows a bare road with no snow on it on the right and a line of trees on the left with German trucks parked next to them, but the view from the cable car shows a snow-covered road and no trucks beside the trees.
Continuity mistake: When Rosemary has decided to sneak over to the Castevet's, she removes the towels from the closet shelves. She then tries to shut the door by pushing the towels (on the floor) into the closet. We see that the closet door does NOT shut all the way. Rosemary goes to get a knife, when she gets back to the closet, the door is completely shut, and she must now turn the knob to open it.
02:06:45 - 02:07:35Ral0618
Continuity mistake: At the very end Fleming sees the dead body of his girlfriend being hoisted onto a gurney - she is soaking wet, having been hauled out of the swimming pool. Later we see it is a policewoman acting as a stand-in in order to fool him into talking - and after a few minutes under a blanket on the gurney she, her bikini, and her hair are all bone dry. Not only that, her hair looks like it has just been styled and her makeup is perfect.
Factual error: "Ice Station Zebra" is one of dozens of films which make the mistake of showing people carrying rifles such as M-16s with the magazines inserted. In the scene where Marine Captain Jim Brown arrives at the submarine via helicopter, he comes aboard passing his M-16 through a hatch with the magazine inserted, barrel first - a double safety violation. I first saw the movie in a Marine Corps base theater, and all of us yelled at the screen when we saw that.
Factual error: In the famous tugboat scene, Fannie rides out on a New York Central tugboat painted jade green - a color which wasn't instituted on the boats until the early 1960s. To be accurate, the tugboat would have to have been painted red with a black stack and the New York Central logo.
Continuity mistake: Throughout the movie, Alan Arkin is carrying in his breast pocket a Cross Chrome pen to write messages with on his pad. (He is a deaf mute.) But in the scene where he is on the porch with Sondra Locke and he is drawing a picture for her, he pulls that pen out of his pocket, yet when the scene cuts to a different angle showing him actually drawing on his pad, it is a thick, black felt tip pen.
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