Visible crew/equipment: When we get to the inquest of Brenda watch very carefully on the green car as the camera moves towards the house. You can see the camera man walking reflected in the car.

Revealing: When Cindy reverses into Cody after realising she'd left him behind, you can tell the switch to dummy if you pause it in the right place. Also - when the dummy lands after being thrown back, it springs back up, almost hanging in mid-air for a second. It's obvious the dummy is being carried on wires, but without being blatant enough to be a deliberate gag.

Continuity: When Mahalik is on stage and about to introduce Fat Joe while saying "to my left..." he is holding his hand at elbow height. When it cuts he holds his hand above his head.

Other: When the Presient is chanting "Hey how are ya" to the native americans, in a wide shot you can see Wilson slap his face with embarrassment. Then it cuts to a closeup of Wilson, and he once again turns his head and slaps his face.

Continuity: When Tabitha raises her arms against Brenda, water is dripping from her arms. When it cuts there is no water dripping.

Continuity: In the beginning, when we first get to Tom Logan's house, you see there is not any smoke coming from the chimney. But later on, when we see the shot from above the corn field and the house, you see smoke coming out of the chimney. I doubt Tom would have made a fire because he ran out of the house immediately after hearing Sue screaming, and he had just gotten out of bed.

Continuity: As Cindy picks up the videotape in Brenda's room, you can see she is holding the back side of the videotape. When it cuts the videotape has suddenly rotated in her hand.

Other: When we first get to see Tom's house it is that there is nothing else than a corn field on the left side of the entrance to the house. Later when we see Tom running out of the house looking for Sue, trees and bushes suddenly appears on the left side instead of the corn field. Also the above shot of the house property later doesn't match what we've seen earlier.

Audio problem: In the Michael Jackson scene when the guy is holding him out of the window, most of the time when he's screaming, his mouth is closed.

Continuity: At the very end of the movie after the wedding, Cindy and the other guy drive off, leaving Cody behind. We see the boy running after them along a straight road. After Cindy stops short of striking the child, Cody is then hit by another car coming from his right hand side and they're suddenly at a crossroads. They weren't at the crossroads a couple of seconds earlier.

Continuity: When Pamela walks up the stairs, you can see the wall on her right is free of paintings. In the next shot, however, paintings are on the wall.

Continuity: When Tom and Michael Jackson are fighting you can see a purple teddy bear hanging from the ceiling in a thread, slightly twisting around. Between the shots the teddy bear has sometimes twisted ninety degrees. It couldn't twist this fast.

Visible crew/equipment: When the bus door closes on George's head you can see a big white board where Tom should be standing reflected in the bus window.

Continuity: When they are gathered down in the cellar, right before Cindy says "are they gone?". Have a close look in the background. There is a lot of stuff and mess there. Later when Cindy has the flashback from the tape we see the exact same corner as earlier, but now it is cleaned up and the ladder has been placed there.

Continuity: When Tom gets down to the cellar you see George standing by something that is covered by a brown carpet. When it cuts to Tom walking you can see a trash can suddenly appear on the right side of the brown carpet. Not easy to see cause it happens kind of fast, but if you roll it in slow motion you can see it.

Continuity: After George has thrown the bucket on the bicyclist you see CJ sitting right behind him in the car. In the next shot you see sitting more on the other side in the car.

Continuity: When George runs into the toilet throwing up you see him holding both his hands on each side of the door opening. When it cuts he hold his arms in front of him.

Continuity: When Cindy is writing down the message for Cody, George has both of his hands on Cody's shoulders. When it cuts to a closeup of Cody, George only has one hand on Cody's shoulder.

Continuity: When the toasts pop out of the toaster, suddenly a piece of toast appears on the microwave behind Pamela.

Continuity: In the beginning after Pamela says "no, not that tape" she turns her head away and rolls her eyes to the left. Then in the next shot she is looking at Jenny again.