On the DVD, Veronica Cartwright's name or character is not listed in either the opening or closing credits. See more...
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Continuity: In the beginning of the movie, Sarah and Tom are at the airport returning from their honeymoon. While walking through the airport, Tom pushes Sarah and she gets coffee spilled on her shirt. Later, when she approaches Tom in the parking lot for a ride home, the coffee stain has suddenly disappeared from her shirt in this shot.
Continuity: After coming back from the honeymoon, Tom, having two reddish bruises on his cheeks, walks into KNR Radio for his 2 AM stint and chats with Fred. However, after recalling all the memories, Tom walks out of KNR Radio a few hours later and speaks with Kyle, but the reddish bruises are no longer there.
Revealing: When Sarah is leaning over Tom to speak to Yuan on the intercom at the McNerney gate, Yuan is looking at the monitor in the kitchen. The monitor shows the car and there is a person wearing a white shirt sitting in the passenger seat of Tom's car. It can't be Sarah, who was sitting in the passenger seat, but now is leaning over Tom in the driver's seat, plus she is wearing a red coat.
Revealing: In the scene where Tom accidentally kills Sarah's dog, he is seen reading a magazine while struggling with the dog. The dog continues to gnaw at Tom's ankle, and eventually rips open his snap pants. In a couple of the shots, you can see an ankle brace that Ashton Kutcher wore to protect him from the dog's bites.
Continuity: After Tom sees Peter kissing Sarah, when she enters the room he accuses her of wanting Peter. Seen behind Tom is his blue backpack and part of his red sweatshirt on the same chair as Wendy's red bra. There's a close-up of the chair when Sarah spots the bra and it's seen again when she picks up the bra. The red sweatshirt is positioned differently in each of these shots.
Continuity: When Sarah and Peter pull up to Peter's friends' house in Italy, Peter gets out of the car. Inside the car, you can see the middle bit where the champagne was and in the seat next to it, you can see there is nothing or no one there. That is where Sarah is supposed to be sitting. But in the next shot you see Sarah just starting to get out of the car, which means you should have been able to see her.
Continuity: As Sarah starts to walk on the foot bridge, on her right there are artists and their easels, canvases, etc. In the following wide shots, close-up, pan down to the Hotel Gianna and pan up from the water, the position and existence of canvases, easels, sketch box, etc. changes throughout these shots.
Revealing: When Sarah walks into an artist and subsequently falls, she brushes up against the fresh canvas on the easel and falls into the wet paint brush he is holding in his hand. The paint is supposedly wet on this painted canvas and paint brush, as the artist is seen with his brush applying paint to this painting. If this were the case, then the paint would have smeared onto her, the red coat or her purse when she brushed up against it as she was falling or when she was on the ground, which is seen on the screen.
Continuity: At the Hotel DuReve, the bellboy is in the room with Tom and Sarah. As Tom asks about Satellite TV, the white lace pillow is lying on the bed and Tom's right red draw string is caught up by his shoulder under his jacket. In their next close-up, Tom's red hood, jacket, zipper and red draw string are different, as is the white lace pillow which is now upright.
Continuity: In the scene were Tom and Sarah are standing beside their car which is stuck in the snow, Tom throws a snowball at a passing blue car. The driver then reverses into their yellow compact, which is pushed easily over the cliff. You can see that there is very little snow covering their yellow car, as opposed to the shots right before it.
Continuity: Tom throws the snowball at the blue car, it hits the rear windshield and flies off to the side as the car stops short. The snowball does not leave any snow on the windshield, however in the next shot as the blue car backs up, there's snow on the rear windshield now. Then in the next two close-ups of the blue car the snow's gone from the rear windshield again.