Continuity: When Tom puts his arm around his wife's head he puts his right arm around it. When it cuts he has his left arm around her head.

Revealing: Right after George turns of the light switch in the cellar you see the light from the film crew fade out as well.

Audio problem: When Cindy and Brenda are talking and Brenda is saying "...it really has these shocking images" it cuts while she is saying the sentence. However when it cuts you can see from behind that she actually isn't talking at all.

Continuity: When George says "... whitey-hating gangsters" to Mahalik, CJ's cap change position between the shots.

Audio problem: When George gets his head stuck in the bus door, in a wide shot as the bus starts driving off, you can hear George going 'Aaah, aaah' but his mouth doesn't move at all.

Continuity: When George is done with his rap you see Fat Joe put his arm down. When it cuts Fat Joe has his arms crossed.

Continuity: Right before Mahalik tells the DJ to "spin that s*it* for the second time in the movie you see a guy wearing a blue/red cap standing beside the DJ. When it cuts to a closeup of the DJ a guy in a white hood is standing beside him.

Continuity: When Tom and George meet outside the house, the sun isn't shining. But when we see the dogs the sun is shining. Then again the sun isn't shining anymore.

Continuity: When Pamela hits Jenny with the pillow you can see a basket or something lying on the floor on the right side of the television table. But when Jenny lands on the floor the basket is gone.

Continuity: When Brenda unplugs the TV because it keeps turning itself on, under the TV in a little compartment you can see three stacks of videos and they are piled up untidily. But when the TV starts to leak, the videos are piled up neatly and also the video cases have changed and the video piles have moved further apart.

Visible crew/equipment: Right after all the hoods have killed each other you see them all lying on the ground with smoke all around them. Have closer look at the guy lying in a yellow shirt. You can see some smoke coming out of the pipe from the smoke machine right beside him.

Continuity: When George chucks a paint bucket at a cyclist, the man falls off his bike. Between shots, the way the bicycle faces changes.

Continuity: When George are giving Brenda mouth to mouth you see lipstick marks on Brenda's cheeks. Two cuts later the marks are gone.

Continuity: In the scene where Cindy gets an envelope with some pictures in it from Brendas mother, Cindy is holding the envelope and the pictures in her left hand and as she is looking through the pictures she puts the pictures behind the envelope. When it cuts no pictures are behind the envelope, but all are in front.

Continuity: When Becca gives Kate the remote control, she tries to switch the TV off, but holds the remote backwards. Kate holds the remote, also with a pen in her hand, but between several shots of her the pen continually disappears then appears in her hand.

Continuity: When the phone rings after Cindy's watched the tape, the camera is zooming into the phone and you can see a CD lying on a DVD next to the phone. In the next shot, the CD has changed position.

Continuity: When Cindy gets to the oracle she bumps into a pillar with a vase on it. The pillar falls to the side. In the next shot the pillar is standing straight again.

Continuity: When Cindy gets to the lighthouse she is on an open field. But in the next shot a tree and a fence appear from out of nowhere.

Revealing: When Cindy reverses into Cody after realising she'd left him behind, you can tell the switch to dummy if you pause it in the right place. Also - when the dummy lands after being thrown back, it springs back up, almost hanging in mid-air for a second. It's obvious the dummy is being carried on wires, but without being blatant enough to be a deliberate gag.

Continuity: When Cindy is talking to George about babysitting Cody her hair changes from being all together (no gaps to show her forehead underneath) in one shot, and with a gap actually showing her forehead in another.