Continuity: Right before Mahalik tells the DJ to "spin that s*it* for the second time in the movie you see a guy wearing a blue/red cap standing beside the DJ. When it cuts to a closeup of the DJ a guy in a white hood is standing beside him.

Continuity: When in the cellar, Cindy reaches for a knife then looks into it, to see her reflection, and brushes her hair with her other hand. But in the next shot her hand is way back from her hair and is resting on the door.

Continuity: When Cindy finds Cody drawing, you can see that the girl in the picture has bent legs. After she is done flipping through the pile of paper she looks at Cody's drawing, but this time the girl's legs are straight.

Continuity: When Pamela hits Jenny with the pillow you can see a basket or something lying on the floor on the right side of the television table. But when Jenny lands on the floor the basket is gone.

Continuity: When Pamela hits Jenny with a glass jar, Pamela picks it out of nowhere when she is lying in front of the desk. The jar was not by the desk earlier.

Continuity: When Pamela opens the door to the room which she finds Jenny, the door handle switches sides. Seen from inside of the room the door handle should be on the left side of the door, not the right side.

Continuity: When Mahalik hands over the shovel to George you see him holding a shovel as well. But the way Mahalik is holding the shovel changes between the shots. First the handle points forwards and in the next shot the handle points backwards.

Visible crew/equipment: Right after all the hoods have killed each other you see them all lying on the ground with smoke all around them. Have closer look at the guy lying in a yellow shirt. You can see some smoke coming out of the pipe from the smoke machine right beside him.

Continuity: When George are giving Brenda mouth to mouth you see lipstick marks on Brenda's cheeks. Two cuts later the marks are gone.

Continuity: In the scene where Cindy gets an envelope with some pictures in it from Brendas mother, Cindy is holding the envelope and the pictures in her left hand and as she is looking through the pictures she puts the pictures behind the envelope. When it cuts no pictures are behind the envelope, but all are in front.

Continuity: When Cindy gets to the oracle she bumps into a pillar with a vase on it. The pillar falls to the side. In the next shot the pillar is standing straight again.

Audio problem: When Cody explains to Sue that "everyone you love is dying" she screams, then he starts screaming. It has a fast cut from his back while he still is screaming. But you can see on his face that he actually isn't screaming.

Revealing: When Tabitha's mother falls off the cliff you see her fall out of view. But when it cuts you see she has landed on a log. Problem is that the log is connected at the top of the cliff. She would fall directly onto it and we would still see her. In fact we would be able to see the log as well.

Continuity: When Brenda's mom almost is fainting you see her falling back in a chair. There is also a black man sitting right beside her. In the next shot she is being held up by a white man, and the black man is no longer sitting in the chair.

Continuity: During the rap contest some guys gun goes off by accident and he gets thrown out. But still he reappears in some shots.

Continuity: When the president hits the two aliens in his car the two aliens fall over with their hands out front and the car stops while they are falling, but in the next scene the aliens are under the car.

Continuity: After the President hits the aliens he pulls out some money if you look he takes out 2 ten dollar bills but when he puts it on the aliens chest its 2 twenty dollar bills

Continuity: When Cindy is going to enter the lighthouse, you can see that the wind has got some of her hair in front of her forehead. When inside the lighthouse, you can see when Cindy appears in the monitors that she has got her hair combed, and in a different style.

Continuity: When Cindy is talking to George about babysitting Cody her hair changes from being all together (no gaps to show her forehead underneath) in one shot, and with a gap actually showing her forehead in another.

Continuity: When we see Cody drawing at home we first see him sitting in a brown chair. Suddenly the chair is black.