Continuity: In the scene where the aliens first land, when the president's car hits them, they fall face-down, onto their stomach. When they show a close-up of the president laying the money on them, they are laying on their back.

Continuity: When Charlie Sheen is at his wife's road accident and is speaking to the Sheriff, he holds up a donut with his right hand and his fingers are on the front of it with his thumb behind it. Yet in the next shot taken from behind him, he is holding the donut differently, with his fingers on the right hand side of it and his thumb on the left. When the shot changes back to the front view again, his fingers are back in the original position.

Continuity: When Mahalik is shouting "Live, damn it, live." and slapping Brenda while she is in the coffin, you can see George standing straight up beside him. When it cuts George is bending down screaming.

Continuity: When George is done throwing up you can see he has got some vomit around his mouth. The amount and position of the vomit changes between the shots.

Continuity: When Cindy is at the Oracle's place and sitting down on a chair, you can see an ashtray on the table beside her. When The Oracle is putting out her cigarette you can see the ashtray has changed position. The ashtray has moved closer to the lamp and the two candles on the table.

Continuity: After Cindy has slid the knife under the door, her knee moves closer to the knife between the shots.

Revealing: When Wilson has uncovered the small Mother Theresa puppets, you can see the table is shaking in order to make them wobble.

Continuity: When Cindy is talking to the oracle you see the oracle sitting in her chair. It cuts back and forth between them. First the oracle doesn't have anything under her left arm, then suddenly there is a leopard pattern looking pillow under her arm. Then it's suddenly gone again.

Revealing: When Brenda is in the casket and Mahalik is jumping on her you can see her knees bend before they're suppose to.

Revealing: When Cindy, Cody and Sue has made the hole in the cellar floor and unveiled the well, there is a shot from inside the hole. We see the well and the huge hole they have made. We also see a wooden plank wall surrounding the well with sunlight coming through the cracks. However, if we look up the hole we see a door, and behind that door there is supposed to be some stairs. Because there are stairs, there could not be any sunlight coming through the cracks, since the sun wouldn't shine there at all.

Continuity: When the president is welcoming everybody to the White House and we can see the sign that says "Mother Theresa Community Awards". If you look to the left, you can see an old black couple. In front of them, you can see a white couple. When it cuts to a shot from behind them, you can see the white couple has moved farther to the right.

Continuity: When Brenda is 'choking' you see Cindy standing right in front of her. When it cuts Cindy is standing to the side of Brenda.

Continuity: When the toasts pop out of the toaster, suddenly a piece of toast appears on the microwave behind Pamela.

Continuity: When Pamela is on the phone you see Jenny standing beside her looking at her. When it cuts to Jenny turning away Jenny has suddenly her arms crossed.

Continuity: When the refrigerator door opens you can see that it slides up in the exact same position between the shots.

Continuity: When Tom gets to his wife you see her smashed on the hood of the car but still not very close to the shield. When it cuts she literally lies onto the shield.

Continuity: When Cindy gets into Brenda's room there is a file lying on the chair. In the next shot, it's a different file.

Continuity: When Brenda is switching off the TV you can see her pressing her finger on the far right side where the buttons are. However, there is no button where she put here finger. In fact the power switch is on the middle of the TV.

Continuity: When Cindy is saying "she did mention something" to Brenda's mother you see a woman wearing a black cap walking in the direction of Cindy. Then it cuts to a closeup of Cindy. By this time the woman should pass behind Cindy, but she doesn't.

Continuity: Back at Cindy's house when CJ says, "So you're telling me that you can go to bed dead..." you see George holding his hand up by his waist. When it cuts from behind George you see him holding his arm down and lifting it up.