American Horror Story

Piggy Piggy - S1-E6

Continuity mistake: The people that Tate murders at school have different wound patterns. Episode 5 they say what Tate did to them, episode 6 shows the attack. Episode 5 the goth girl says Tate asked her if she believed in God before shooting her - episode 6 he asked her nothing, instead just shot her. Episode 5, the guy in the letterman jacket illustrates his wound to be a single round to the head - episode 6 he shoots the letterman with a shotgun in the chest, not a handgun to the head. Episode 5 the cheerleader shows no apparent wounds of being shot - episode 6 Tate shoots her in the face with a shotgun.

Afterbirth - S1-E12

Continuity mistake: When Stacy and Miguel (the new owners of the house), are making out in the kitchen, her shirt goes from off her shoulders to back on her shoulders across several shots.

Guy

Afterbirth - S1-E12

Continuity mistake: When Vivien and the maid are sitting in the kitchen, one shot shows the maid from the side with her hands in front of her on the table. The shot changes and instantly her hands are holding a coffee mug in front of her lips.

Guy

Continuum - S2-E12

Character mistake: When Lana and Kit are speaking in the cafe, the window behind them contains a spelling mistake. The window reads "Bolyston Cafe" when it should say "Boylston Cafe." (00:31:45)

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Show Stoppers - S4-E12

Trivia: They pay homage to the original 1932 movie Freaks. In Freaks, Cleopatra gets mutilated and turned into a tarred and feathered bird for visitors to gawk at in terror. Hercules gets viciously attacked under the carnival vehicle. In this episode, Stanley gets cornered by all the freaks under the carnival vehicle and gets viciously attacked and mutilated to resemble Meep (a feathered freak who was killed by the cops in an earlier episode).

Tricia Webster

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Answer: Moira's ghost form is unique because of the way she was treated when she was alive. To people who do not sexualize her and truly understand and view her for who she really (namely women), she is seen as an older woman. To people who objectify and don't care to see the truth (namely men), they see the young seductive Moria. It's a strong directorial choice to eventually show how Ben Harmen comes to terms with the truth of the house and himself.

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