Two and a Half Men

The Squat and the Hover - S9-E6

Continuity mistake: The box that Allan puts on the sofa in the pre-credit sequence is constantly changing position. Note the tape and labels. (00:03:40)

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The Squat and the Hover - S9-E6

Continuity mistake: Jake states that when Allen got the divorce papers he was on a boat. However it is shown that Jake was in school. (00:02:00)

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The War Against Gingivitis - S9-E18

Continuity mistake: At the beginning after Waldon's ex-wife video calls Waldon about Billy, Waldon goes outside to the balcony and screams. When Waldon screams, there's a cut to Alan by the sink where he also screams, breaks a plate and drops a green towel on the floor. The next cut after Alan, is Waldon coming back inside and Alan asking "Are you all right?" Look in the background and the green towel is all of a sudden folded and hanging on the side of the sink.

Justin Davis

Ixnay on the Oggie Day - S7-E18

Revealing mistake: Charlie turns the money he's holding toward the camera, making it too obvious that it's prop money and not real.

Jeff Swanson
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Frankenstein and the Horny Villagers - S2-E8

Berta: Well gadzooks! Zippy's got his freak on.
Charlie: Yeah he has.
Berta: Well if they can put a man on the moon they can put a woman on your brother.

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Trivia: Charlie Sheen puts his jacket on the same way his father Martin Sheen did in the series The West Wing.

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Show generally

Question: Is Charlie's house the same set as Lavern & Shirley's house when they move to California? I think it's the same living room w/o the view of the Pacific.


Answer: To confirm, it is not the same set. In fact, the "Two and Half Men" production staff have officially denied their set is based on the "Laverne and Shirley" set, but just appear similar since they share a Spanish Colonial style. In addition, "Two and Half Men" and "Laverne and Shirley" were produced by two different companies and shot on two different stages.


Chosen answer: No. It's very similar, but not the same set.

White Lock

Answer: It's the same set.

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