Buffy The Vampire Slayer

Enemies - S3-E17

Revealing mistake: Watch Xander's right leg as Angelus punches him onto the sidewalk - it bends the wrong way at the knee and flies up to his waist, showing that it's a dummy.

Shay

Enemies - S3-E17

Revealing mistake: After Faith brings Angelus back, when she goes to punch him and he blocks, the stuntman switch is very obvious - he's noticeably taller, has different hair and doesn't even seem to be wearing any vampire make-up.

Shay

Earshot - S3-E18

Revealing mistake: In the scene where Buffy is fighting the big scary lunch lady, look closely in the far away shots because you can see that the big lunch lady is now a skinny little stunt double. (00:41:55)

Wild At Heart - S4-E6

Revealing mistake: Towards the end when Oz says to Veruca, "You don't wanna find out what I am", and partially turns into a Werewolf. You can tell that both of the actors were filmed separately for the CGI's sake as Oz stands out from the picture more than Veruca does. The same effect is obvious during "Doppelgangland" in season 3 where there are 2 Willows onscreen at once.

THGhost

Wild At Heart - S4-E6

Revealing mistake: In the scene when Oz stops the female wolf from attacking Willow, and they both change and Oz tears her neck out, if you look closely, you can see the actor's real skin at the neck.

Pangs - S4-E8

Revealing mistake: One of the arrows that Spike gets hit with passes through just below his left shoulder, but there are times when you can tell that it is a fake arrow because the part of the arrow sticking out at the front moves and the part at the back does not. Look at the arrow just after Buffy turns Hus into a bear.

THGhost

Hush - S4-E10

Revealing mistake: In the fight scene at the clock tower, the first time Riley is knocked to the ground he kicks one of the strait-jacket demons in the face - his foot misses, but the demon still reacts as if hit.

Shay

Hush - S4-E10

Revealing mistake: When the Gentlemen are chasing Tara in Stevenson Hall, in the first hallway two Gentlemen are floating down the corridor and you can tell they're on wires because the one on the screen's left "jumps" a little as if his wires got snagged.

stellablue

A New Man - S4-E12

Revealing mistake: In the scene where Giles is dusting his book shelf he takes a book from the shelf and reads from it, you can see that the pages have nothing written on them. (00:07:30)

bic

A New Man - S4-E12

Revealing mistake: In the scene where Giles and Ethan Rayne are drinking in the bar, the shots cut between Giles and Ethan frequently. When on Giles, you can see Ethan's hands/arms and his glass in the foreground of the shot, but almost every time the shot switches back to Ethan he's in a different position with no time to have moved. (00:14:40)

pinkwafer

Superstar - S4-E17

Revealing mistake: When Jonathan assists Buffy at the beginning of the episode, he enters through the glass ceiling of the mausoleum, which shatters into squares. Although the audio is the sound of glass shattering, the pieces of "glass" flutter down, revealing that the squares are paper - simply for the safety of the actor during the stunt. (00:05:00)

tu11

Superstar - S4-E17

Revealing mistake: When Tara is being chased by the monster and she falls, she says a spell and white smoke comes out of her hands but it is coming out of the sleeves of her shirt, the way she holds her hands up suggests this as well.

Goodbye Iowa - S4-E14

Continuity mistake: When Buffy is talking to Riley, she puts the scarf on her head, on his hand. He talks to her and says "Maybe I am the bad guy," and in the next frame her scarf is back on her head again, then off again in the next frame. (00:24:20)

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Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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Question: Can someone please explain how exactly a Watcher knows who the chosen one is? In the season 2 episode "What's my line" Kendra explains that her parents gave her away to her watcher when she was young because they believed it would be best for her. How did they know about the slayer mythos and how did they know Kendra could be one? I always thought that when a new slayer is born it could be anyone; and that was no discernible factor in who would be the next one to become the slayer.

Azureth

Chosen answer: From what we see in the series, certain girls are identifiable as potential Slayers - Kendra clearly fell into this category. The identification method is presumably mystical in nature, but the Watchers' Council are pretty effective at that sort of thing, so they're quite good at tracking down the potentials ahead of time. Not perfect, though - it does appear that Buffy herself may have slipped through the net - certainly she had no inkling of what she was until she'd already taken on the role of Slayer. It is possible, however, that this was actually cultural - an American family would hardly be likely to turn over their daughter to some strange man for 'training', so the Watchers might have chosen to keep an eye on her covertly, whereas some other cultures (like Kendra's Jamaican parents) might be more willing to believe.

Tailkinker

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